Tripwire

He stopped next to each casket and gripped the cold aluminum sides and leaned over and stared in, desperate to spot what he was missing. In the bones. He started each search at the top. The skull, the neck, the collarbones, the ribs, the arms, the pelvis, the legs, the feet. He took to rummaging through the boxes, lightly, delicately sorting the dry bones, looking for it. A quarter to six. Ten to six. Jodie was watching him, anxiously. He did the round for the third time, starting again with Gunston, the cop. He moved on to Zabrinski, the other cop. On to Allen, the criminal. On to Soper, the gunner. On to Bamford, the crew chief. He found it right there in Bamford’s box. He closed his eyes. It was obvious. It was so obvious it was like it was painted in Day-Glo paint and lit up with a searchlight. He ran back around the other six boxes, counting, double-checking. He was right. He had found it. Six o’clock in the evening in Hawaii.
    “There are seven bodies,” he said. “But there are fifteen hands.”
    SIX O’CLOCK IN the evening in Hawaii is eleven o’clock at night in New York City, and Hobie was alone in his apartment, thirty floors above Fifth Avenue, in the bedroom, getting ready to go to sleep. Eleven o’clock was earlier than his normal bedtime. Usually he would stay awake, reading a book or watching a film on cable until one or two in the morning. But tonight he was tired. It had been a fatiguing day. There had been a certain amount of physical activity, and some mental strain.
    He was sitting on the edge of his bed. It was a king-size bed, although he slept alone, and always had. There was a thick comforter in white. The walls were white and the blinds were white. Not because he had wanted any kind of artistic consistency in his decor, but because white things were always the cheapest. Whatever you were dealing with, bed linen or paint or window coverings, the white option was always priced lowest. There was no art on the walls. No photographs, no ornaments, no souvenirs, no hangings. The floor was plain oak strips. No rug.
    His feet were planted squarely on the floor. His shoes were black Oxfords, polished to a high shine, planted exactly at right angles to the oak strips. He reached down with his good hand and undid the laces, one at a time. Eased the shoes off, one at a time. Pushed them together with his feet and picked them up both together and squared them away under the bed. He slid his thumb into the top of his socks, one at a time, and eased them off his feet. Shook them out and dropped them on the floor. He unknotted his tie. He always wore a tie. It was a source of great pride to him that he could knot a tie with one hand.
    He picked up the tie and stood and walked barefoot to his closet. Slid the door open and worked the thin end of the tie down behind the little brass bar where it hung at night. Then he dropped his left shoulder and let his jacket slide off his arm. Used the left hand to pull it off on the right. He reached into the closet and came out with a hanger and slid the jacket onto it, one-handed. He hung it up on the rail. Then he unbuttoned his pants and dropped the zip. Stepped out of them and crouched and straightened them on the shiny oak floor. No other way for a one-armed man to fold trousers. He put the cuffs together one on top of the other and trapped them under his foot and pulled the legs straight. Then he stood up and took a second hanger from the closet and bent down and flipped the bar under the cuffs and slid it along the floor to the knees. Then he stood up again and shook the hanger and the pants fell into perfect shape. He hung them alongside the jacket.
    He curled his left wrist around the starched buttonholes and undid his shirt. He opened the right cuff. He shrugged the shirt off his shoulders and used his left hand to pull it down over his hook. Then he leaned sideways and let it fall down his left arm. Trapped the tail under his foot and pulled his arm up through the sleeve. The sleeve turned inside out as it always did and his good hand squeezed through the cuff. The only modification he had been forced to make in his entire wardrobe was to move the cuff buttons on his shirts to allow them to pass over his left hand while they were still done up.
    He left the shirt on the floor and pulled at the waistband of his boxers and wriggled them down over his hips. Stepped out of them and grasped the hem of his undershirt. This was the hardest part. He