Trunk Music

you’re all proud of yourself, but next time don’t open the car, okay? We all want to be detectives but not all of us are. That’s how crime scenes get fucked up. And I think you know that.”
    Bosch watched the cop’s face turn a dark shade of crimson and the skin go tight around his jaw.
    “Listen, Bosch,” he said. “What I know is that if I just called this in as a suspicious vehicle that smells like there’s a stiff in the trunk, then you people would’ve said, ‘What the fuck does Powers know?’ and left it there to rot in the sun until there was nothing left of your goddamn crime scene.”
    “That might be true but, see, then that would be our fuckup to make. Instead, we’ve got you fucking us up before we start.”
    Powers remained angry but mute. Bosch waited a beat, ready to continue the debate, before dismissing it.
    “Can you lift the tape now, please?”
    Powers stepped back to the tape. He was about thirty-five, Bosch guessed, and had the long-practiced swagger of a street veteran. In L.A. that swagger came to you quickly, as it had in Vietnam. Powers held the yellow tape up and Bosch walked under. As he passed, the cop said, “Don’t get lost.”
    “Good one, Powers. You got me there.”
    The fire road was one lane and overgrown at its sides with brush that came as high as Bosch’s waist. There was trash and broken glass strewn along the gravel, the trespasser’s answer to the sign at the gate. Bosch knew the road was probably a favorite midnight haunt for teenagers from the city below.
    The music grew louder as he went further in. But he still could not identify it. About a quarter mile in, he came to a gravel-bedded clearing that he guessed was a staging point for fire-fighting apparatus in the event that a brush fire broke out in the surrounding hills. Today it would serve as a crime scene. On the far side of the clearing Bosch saw a white Rolls-Royce Silver Cloud. Standing near it were his two partners, Rider and Edgar. Rider was sketching the crime scene on a clipboard while Edgar worked with a tape measure and called out measurements. Edgar saw Bosch and gave an acknowledging wave with a latex-gloved hand. He let the tape measure snap back into its case.
    “Harry, where you been?”
    “Painting,” Bosch said as he walked up. “I had to get cleaned up and changed, put stuff away.”
    As Bosch stepped closer to the edge of the clearing, the view opened below him. They were on a bluff rising above the rear of the Hollywood Bowl. The rounded music shell was down to the left, no more than a quarter mile. And the shell was the source of the music. The L.A. Philharmonic’s end-of-the-season Labor Day weekend show. Bosch was looking down at eighteen thousand people in concert seats stretching up the opposite side of the canyon. They were enjoying one of the last Sunday evenings of the summer.
    “Jesus,” he said out loud, thinking of the problem.
    Edgar and Rider walked over.
    “What’ve we got?” Bosch asked.
    Rider answered.
    “One in the trunk. White male. Gunshots. We haven’t checked him out much further than that. We’ve been keeping the lid closed. We’ve got everybody rolling, though.”
    Bosch started walking toward the Rolls, going around the charred remnants of an old campfire that had burned in the center of the clearing. The other two followed.
    “This okay?” Bosch asked as he got close to the Rolls.
    “Yeah, we did the search,” Edgar said. “Nothing much. Got some leakage underneath the car. That’s about it, though. Cleanest scene I’ve been at in a while.”
    Jerry Edgar, called in from home like everybody else on the team, was wearing blue jeans and a white T-shirt. On the left breast of the shirt was a drawing of a badge and the words LAPD Homicide. As he walked past Bosch, Harry saw that the back of the shirt said Our Day Begins When Your Day Ends. The tight-fitting shirt contrasted sharply with Edgar’s dark skin and displayed his heavily muscled upper body as he moved with an athletic grace toward the Rolls. Bosch had worked with him on and off for six years but they had never become close outside of the job. This was the first time it had dawned on Bosch that Edgar actually was an athlete, that he must regularly work out.
    It was unusual for Edgar not to be in one of his crisp Nordstrom’s suits. But Bosch thought he knew why. His informal dress practically guaranteed he would avoid having to do the dirty work, next-of-kin