Without Fail
and took up station in front of it like a sentry, feet apart, hands clasped easy in the small of her back.
Nendick still said nothing. Just stood there, slack and staring. Stuyvesant put a hand on his shoulder and turned him around. Pushed him toward the kitchen. He didn’t resist. Just stumbled limply toward the back of his house. Stuyvesant followed him and hit a switch and fluorescent tubes sputtered to life above the countertops.
“Sit,” he said, like he was talking to a dog.
Nendick stepped over and sat on a stool at his breakfast bar. Said nothing. Just wrapped his arms around himself like a man chilled by fever.
“Names,” Stuyvesant said.
Nendick said nothing. He worked at saying nothing. He stared forward at the far wall. One of the fluorescent lights was faulty. It was struggling to kick in. Its capacitor put an angry buzz into the silence. Nendick’s hands started shaking, so he tucked them up under his arms to keep them still and began to rock back and forth on the stool. It creaked gently under his weight. Reacher glanced away and looked around the kitchen. It was a pretty room. There were yellow check drapes at the window. The ceiling was painted to match. There were flowers in vases. They were all dead. There were dishes in the sink. A couple of weeks’ worth. Some of them were crusted.
Reacher stepped back to the hallway. Into the living room. The television was a huge thing a couple of years old. It was tuned to a commercial network. The program seemed to be made up of clips from police traffic surveillance videos several years out of date. The sound was low. Just a constant murmur suggesting extreme and sustained excitement. There was a remote control balanced carefully on the arm of a chair opposite the screen. There was a low mantel above the fireplace with a row of six photographs in brass frames. Nendick and a woman featured in all six of them. She was about his age, maybe just lively enough and attractive enough not to be called plain. The photographs followed the couple from their wedding day through a couple of vacations and some other unspecified events. There were no pictures of children. And this wasn’t a house where children lived. There were no toys anywhere. No mess. Everything was frilly and considered and matched and adult.
The remote on the arm of the chair was labeled Video , not TV . Reacher glanced at the screen and pressed play. The cop radio sound died instantly and the video machine clicked and whirred and a second later the picture went black and was replaced by an amateur video of a wedding. Nendick and his wife smiled into the camera from several years in the past. Their heads were close together. They looked happy. She was all in white. He was wearing a suit. They were on a lawn. A blustery day. Her hair was blowing and the sound track was dominated by wind noise. She had a nice smile. Bright eyes. She was saying something for posterity, but Reacher couldn’t hear the words.
He pressed stop and a nighttime car chase resumed. He stepped back into the kitchen. Nendick was still shaking and rocking. He still had his hands trapped up under his arms. He still wasn’t saying anything. Reacher glanced again at the dirty dishes and the dead flowers.
“We can get her back for you,” he said.
Nendick said nothing.
“Just tell us who, and we’ll go get her right now.”
No reply.
“Sooner the better,” Reacher said. “Thing like this, we don’t want to have her wait any longer than she has to, do we?”
Nendick stared at the far wall with total concentration.
“When did they come for her?” Reacher asked. “Couple of weeks ago?”
Nendick said nothing. Made no sound at all. Neagley came in from the hallway. Drifted away into the half of the kitchen that was set up as a family room. There was a matching set of heavy furniture grouped along one wall, bookcase, credenza, bookcase.
“We can help you,” Reacher said. “But we need to know where to start.”
Nendick said nothing in reply. Nothing at all. Just stared and shook and rocked and hugged himself tight.
“Reacher,” Neagley called. Soft voice, with some kind of strain in it. He stepped away from Nendick and joined her at the credenza. She handed him something. It was an envelope. There was a Polaroid photograph in it. The photograph showed a woman sitting on a chair. Her face was white and panicked. Her eyes were wide. Her hair was dirty. It was Nendick’s wife, looking about a
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