Wolf Hall - Bring Up the Bodies

king she should have acted the virgin’s part, lain rigid and weeping. ‘But, Lady Rochford,’ he had objected, ‘faced with such fear, any man might falter. The king is not a rapist.’
    Oh, well then, Lady Rochford had said. She should at least have flattered him. She should have acted like a woman who was getting a happy surprise.
    He did not relish the topic; he sensed in Jane Rochford’s tone the peculiar cruelty of women. They fight with the poor weapons God has bestowed – spite, guile, skill in deceit – and it is likely that in conversations between themselves they trespass in places where a man would never trust his footing. The king’s body is borderless, fluent, like his realm: it is an island building itself or eroding itself, its substance washed out into the waters salt and fresh; it has its shores of polder, its marshy tracts, its reclaimed margins; it has tidal waters, emissions and effusions, quags that slough in and out of the conversation of Englishwomen, and dark mires where only priests should wade, rush lights in their hands.
     
     
    On the river the breeze is cold; summer still weeks away. Anne is watching the water. She looks up and says, ‘Where is the archbishop? Cranmer will defend me and so will all my bishops, they owe their promotion to me. Fetch Cranmer and he will swear I am a good woman.’
    Norfolk leans forward and speaks into her face: ‘A bishop would spit on you, niece.’
    ‘I am the queen and if you do me harm, then a curse will come on you. No rain will fall till I am released.’
    A soft groan from Fitzwilliam. The Lord Chancellor says, ‘Madam, it is such foolish talk of curses and spells that has brought you here.’
    ‘Oh? I thought you said I was a false wife, are you now saying I am a sorcerer too?’
    Fitzwilliam says, ‘It was none of us raised the subject of curses.’
    ‘You cannot do anything against me. I will swear on oath I am true, and the king will listen. You can bring no witnesses. You do not even know how to charge me.’
    ‘Charge you?’ Norfolk says. ‘Why charge you, I ask myself. It would save us trouble if we pitched you out and drowned you.’
    Anne shrinks into herself. Huddled as far as she can get from her uncle, she looks the size of a child.
    As the barge moors at the Court Gate he sees Kingston’s deputy, Edmund Walsingham, scanning the river; in conversation with him, Richard Riche. ‘Purse, what are you doing here?’
    ‘I thought you might want me, sir.’
    The queen steps on to dry land, steadies herself on Kingston’s arm. Walsingham bows to her. He seems agitated; he looks around, wondering to which councillor he should address himself. ‘Are we to fire the cannon?’
    ‘That’s usual,’ Norfolk says, ‘is it not? When a person of note comes in, at the king’s pleasure. And she is of note, I suppose?’
    ‘Yes, but a queen…’ the man says.
    ‘Fire the cannon,’ Norfolk demands. ‘The Londoners ought to know.’
    ‘I think they know already,’ he says. ‘Didn’t my lord see them running along the banks?’
    Anne looks up, scans the stonework above her head, the narrow loupe windows and the gratings. There are no human faces, just the flap of a raven’s wing, and its voice above her, startling in its human quality. ‘Is Harry Norris here?’ she asks. ‘Has he not cleared my name?’
    ‘I fear not,’ Kingston says. ‘Nor his own.’
    Something happens to Anne then, which later he will not quite understand. She seems to dissolve and slip from their grasp, from Kingston’s hands and his, she seems to liquefy and elude them, and when she resolves herself once more into woman’s form she is on hands and knees on the cobbles, her head thrown back, wailing.
    Fitzwilliam, the Lord Chancellor, even her uncle, step back; Kingston frowns, his deputy shakes his head, Richard Riche looks stricken. He, Cromwell, takes hold of her – since no one else will do it – and sets her back on her feet. She weighs nothing, and as he lifts her, her wail breaks off, as if her breath had been stopped. Silent, she steadies herself against his shoulder, leans into him: intent, complicit, ready for the next thing they will do together, which is kill her.
    As they turn back to the royal barge, Norfolk barks, ‘Master Secretary? I need to see the king.’
    ‘Alas,’ he says, as if the regret were genuine: alas, that will not be possible. ‘His Majesty has asked for peace and seclusion. Surely, my lord, in the