A Darkness More Than Night

the coroner’s office while Bosch and his partner worked the case.
    There was no physical evidence found with the body. Aside from being left without her clothes or any identifying property, the victim had apparently been washed with an industrial-strength cleaner before being dumped late at night off Mulholland.
    There was only one clue with the body. An impression in the skin of the left hip. Postmortem lividity indicated the blood in the body had settled on the left half, meaning the body had been lying on its left side in the time between the stilling of the heart and the dropping of the body down the hillside where it came to rest face down on a pile of empty beer cans and tequila bottles. The evidence indicated that during the time that the blood settled, the body had been lying on top of the object that left the impression on the hip.
    The impression consisted of the number 1, the letter J and part of a third letter that could have been the upper left stem of an H, a K or an L. It was a partial reading of a license plate.
    Bosch formed the theory that whoever had killed the girl with no name had hidden the body in the trunk of a car until it was time to dump it. After carefully cleaning the body the killer had put it into the trunk of his car, mistakenly putting it down on part of a license plate that had been taken off the car and also placed in the trunk. Bosch’s theory was that the license plate had been removed and possibly replaced with a stolen plate as one more safety measure that would help the killer avoid detection if his car happened to be spotted by a suspicious passerby at the Mulholland overlook.
    Though the skin impression gave no indication of what state issued the license plate, Bosch went with the percentages. From the state Department of Motor Vehicles he obtained a list of every car registered in Los Angeles County that carried a plate beginning 1JH, 1JK and 1JL. The list contained over three thousand names of car owners. He and his partner cut forty percent of it by discounting the female owners. The remaining names were slowly fed into the National Crime Index computer and the detectives came up with a list of forty-six men with criminal records ranging from minor to the extreme.
    It was at this point that Bosch came to McCaleb. He wanted a profile of the killer. He wanted to know if he and Sheehan were on the right track in suspecting that the killer had a criminal history, and he wanted to know how to approach and evaluate the forty-six men on the list.
    McCaleb considered the case for nearly a week. He looked at each of the crime scene photos twice a day – first thing in the morning and last thing before going to sleep – and studied the reports often. He finally told Bosch that he believed they were on the right course. Using data accumulated from hundreds of similar crimes and analyzed in the bureau’s VICAP program, he was able to provide a profile of a man in his late twenties with a history of having committed crimes of an escalating nature and likely including offenses of a sexual nature. The crime scene suggested the work of an exhibitionist – a killer who wanted his crime to be public and to instill horror and fear in the general population. Therefore, the location of the body dump site would have been chosen for these reasons as opposed to reasons of convenience.
    In comparing the profile to the list of forty-six names, Bosch narrowed the possibilities to two suspects: a Woodland Hills office building custodian who had a record of arson and public indecency and a stage builder who worked for a studio in Burbank and had been arrested for the attempted rape of a neighbor when he was a teenager. Both men were in their late twenties.
    Bosch and Sheehan leaned toward the custodian because of his access to industrial cleaners, like the one that had been used to wash the victim’s body. However, McCaleb liked the stage builder as a suspect because the attempted rape of the neighbor in his youth indicated an impulsive action that was more in tune with the profile of the current crime’s perpetrator.
    Bosch and Sheehan decided to informally interview both men and invited McCaleb along. The FBI agent stressed that the men should be interviewed in their own homes so that he would have the opportunity to study them in their own environment as well as look for clues in their belongings.
    The stage builder was first. His name was Victor Seguin. He seemed shell-shocked by seeing