A Finer End
said.
‘Yes, but that’s not what you wanted to talk to me about.’
‘You don’t miss a trick, Superintendent.’ She gave him a quick smile, then sighed. ‘I hate to be alarmist, but I’m quite worried about Andrew, Winnie’s brother. He hasn’t been to see Winnie since she left hospital, has he?’
‘Not since she regained consciousness, as far as I know.’
‘He refused to go into the ICU — were you aware of that? And every time I saw him in the waiting area, he seemed progressively overwrought. I’m afraid that his silence doesn’t bode well.’
‘You may be right. Can you see him? Have you any influence?’
‘When I tried to reason with him in hospital, he only became more agitated. But we’ve been friends for a long time. Perhaps David and I should both talk to him,’
‘I take it you’re worried about more than Catesby’s mental health. Do you think he would hurt Winnie?’
‘Andrew cares for Winnie so much, I can’t imagine... but sometimes love can get twisted.’ Suzanne met Kincaid’s eyes. ‘Until we’ve at least tried to sort things out with Andrew, I’d feel better if you kept a close eye on Winnie and Jack.’
As soon as Fiona finished one canvas, another image coalesced in her mind, giving her no peace until she brought it to life.
She thought she had never worked so well, with such richness of colour or delicacy of detail, and for the first time in months the child had not appeared. But she was bone-weary, and when she’d put the final touches on the latest effort, she cleaned her brushes and left her studio.
Bram looked up from the book he was reading, his relief obvious. ‘Finished, darling?’
Fiona stretched out on the sofa beside him. ‘I’m knackered.’
‘I wish I could help.’ He stroked her forehead with his thumb.
‘You do, just by understanding,’ As a child, she had drawn on walls if no paper was available when the urge came on her — and had not understood when she’d been punished for it. At one point her baffled parents had tried to keep her from drawing altogether, and she had sunk into a state of depression so deep it bordered on catatonia.
‘But I feel empty tonight,’ she added, yawning and snuggling a little more firmly into his lap. ‘This may be it for now.’
‘Are they good?’
‘Brilliant. You’ll like them.’ She smiled up at him. ‘I think I’ll go and see Winnie tomorrow, if she feels up to a bit of company.’
‘Shall I read to you?’
‘What are you reading?’
‘William of Malmesbury’s account of his visit to the Abbey in the 1120s. Listen to this. He’s talking about the Old Church. “... one can observe all over the floor stones, artfully interlaced in the forms of triangles or squares and sealed with lead; I do no harm to religion if I believe some sacred mystery is contained beneath them..“‘
Was that what Garnet had known? Fiona wondered sleepily, meaning to ask Bram, but the words began to stretch out like shining beads on a string, until they shimmered and faded away.
She woke on the sofa in a darkened room, with a blanket tucked round her and a cushion placed carefully under her head. It was late — or very early — she sensed that by the quality of the light filtering in through the blinds. She sat up, intending to go to bed for what was left of the night, and her dream came back to her in a rush.
The music — she had heard the singing again. Now it dissolved and slipped once more from her grasp.
And she had seen the Abbey, washed in a clear, pale light. But the heavily overgrown ruins had stood in an open, pastoral landscape, rather than their modern-day walled setting. A few thin cows grazed in the foreground, watched over by a man in old-fashioned dress who leaned picturesquely on a shepherd’s staff.
Fiona lay back and pulled the blanket up to her chin, trying to make sense of the disparate elements floating about in her head: the music, Garnet, the beautifully coloured tiles in the Old Church, the odd view of the Abbey...
Her last thought, as she drifted off to sleep once more, was that the man with the shepherd’s crook had looked remarkably like Jack Montfort.
Chapter Seventeen
But even St Michael was helpless against the Powers of Darkness, concentrated by ritual, and in the earthquake of AD 1000 the body of the church [on the Tor] fell down, leaving only the tower standing. Thus was the Christian symbol of a cruciform church changed into the pagan
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