Alpha Omega 02 - Hunting Ground
enemy. Brother Wolfâs voice was clearer in her head than even the Marrokâs. And the Marrok spoke in wordsâBrother Wolf wasnât hampered by anything so human.
Anna pulled her hand away from Charles as if heâd burned her, and stared at her fingers. Charlesâs shoulder bumped her with silent reassurance, a casual gesture the fae woman probably hadnât noticed. Or was too polite to comment on.
Later, murmured Brother Wolf quietly, then she was alone in her head. Alone with the remnants of jealousy and . . . hurt at Brother Wolfâs rejection. Knowing that she shouldnât feel either didnât help at all.
Charles took the package heâd brought and handed it to Dana.
Danaâs eyebrows rose. âButcher paper and twine?â
He shrugged. âDa gave it to me that way.â
The fae shook her head and opened a drawer in a birdâs-eye maple desk and pulled out a pair of delicate sterling silver scissors. Setting the package on the desktop, she cut the string and opened it.
And the alien thing Anna had glimpsed earlier was back in full measure. Dana didnât move, didnât so much as blink, but the portent of . . . something filled the space they were in. Every muscle, every hair on Annaâs body warned her to run.
She looked at Charles. His attention was on the fae, but he wasnât alarmed. Did he not feel it? Or was he so confident that Danaâs threat was something he could handle? But his calm helped Anna regain hers. She waited to see what had caused such a strong reaction.
Even before Dana had opened the package, itâd been obvious that a painting was inside. It wasnât large. Ten inches by twelve, maybe, framed in oak a couple of shades darker than the deskâs maple, a waterscape of some sort.
âDa said to tell you it was what he remembered,â Charles said. âThat he might have gotten some of the details a little wrong, but he thought not.â
âI didnât know the Marrok painted.â Danaâs voice was . . . deeper somehow. Rich and hoary with age. Her hands trembled as she touched the painting. The faeâs power that Anna had felt so strongly just a few moments ago was gone as if it had never been.
âHe doesnât.â Charles shook his head. âBut we have an artist in our pack, and he has a gift for painting other peopleâs wordsâand my father is very good with words.â
âI didnât know your father was ever there.â The fae sounded . . . lost.
Charles shrugged. âYou know how Da is. No one notices him unless he intends it. And he is a bard. He goes everywhere.â
Dana lifted her head, and her eyes were puffy, her nose red, though no tears fell down her cheeks. She looked very human. âHow did he know?â
Charles lifted both of his hands. âWho knows how my da figures out anything. He thought it would please you.â
She looked at it again, and Anna couldnât tell if she was pleased or notâovercome, certainly. Shocked. âMy home. It is long gone. Destroyed by magic and geology, the spring dried up centuries ago. The site it occupied is a city street that bears the name of a hundred other streets in a hundred other cities. I thought all memory of it was lost.â She touched the painting the way Anna touched Charles: lightly, cautious of pain but unable to resist the draw of it.
She tipped it so they both could see it better. The side of a lake, Anna thought. A deep lake to catch the color of the sky and darken the blue to a near black. The artwork was plainer than the painting Dana had been working on, and the canvas much smaller. But in simple brushstrokes, the artist had captured an unworldly quality that made the small picture a window into a foreign place. A place that held no welcome for Annaâbut somehow it matched the alien look sheâd glimpsed in Danaâs eyes.
âTell your father,â Dana said, returning her attention to the painting, âthat I will see if I can return a gift of equal value to him. And my apologies if I donât.â
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âWELL,â said Anna, once they were safely on their way.
âThat was . . . unsettling.â
âYou didnât like her?â
She looked at him, then turned her attention back to the road. When the faeâs spell had brushed her, Anna had wanted to like her, to fawn at her feet and wait for crumbs of kindness. The rest of
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