And the Mountains Echoed

then another, and yet more again. She lights the coal and places the hookah next to her sister.
    â€œNow,” Masooma says, the orange glow of the flames shimmering on her cheeks, in her eyes, “if you ever loved me, Parwana, if you were ever my true sister, then leave. No kisses. No good-byes. Don’t make me beg.”
    Parwana begins to say something, but Masooma makes a pained, choking sound and rolls her head away.
    Parwana slowly rises to her feet. She walks to the mule and tightens the saddle. She grabs the reins to the animal. She suddenly realizes that she may not know how to live without Masooma. She doesn’t know if she can. How will she bear the days when Masooma’s absence feels like a far heavier burden than her presence ever had? How will she learn to tread around the edges of the big gaping hole where Masooma had once been?
    Have heart
, she almost hears Masooma saying.
    Parwana pulls the reins, turns the mule around, and begins to walk.
    She walks, slicing the dark, as a cool night wind rips across her face. She keeps her head down. She turns around once only, later. Through the moisture in her eyes, the campfire is a distant, dim, tiny blur of yellow. She pictures her twin sister lying by the fire, alone in the dark. Soon, the fire will die, and Masooma will becold. Her instinct is to go back, to cover her sister with a blanket and slip in next to her.
    Parwana makes herself wheel around and resume walking once more.
    And that is when she hears something. A faraway, muffled sound, like wailing. Parwana stops in her tracks. She tilts her head and hears it again. Her heart begins to ram in her chest. She wonders, with dread, if it’s Masooma calling her back, having had a change of heart. Or maybe it is nothing but a jackal or a desert fox howling somewhere in the dark. Parwana can’t be sure. She thinks it might be the wind.
    Don’t leave me, sister. Come back
.
    The only way to know for sure is to go back the way she had come and Parwana begins to do just that; she turns around and takes a few steps in Masooma’s direction. Then she stops. Masooma was right. If she goes back now, she will not have the courage to do it when the sun rises. She will lose heart and end up staying. She will stay forever. This is her only chance.
    Parwana shuts her eyes. The wind makes the scarf flap against her face.
    No one has to know. No one would. It would be her secret, one she would share with the mountains only. The question is whether it is a secret she can live with, and Parwana thinks she knows the answer. She has lived with secrets all her life.
    She hears the wailing again in the distance.
    Everyone loved you, Masooma
.
    No one me
.
    And why, sister? What had I done?
    Parwana stands motionless in the dark for a long time.
    At last, she makes her choice. She turns around, drops her head, and walks toward a horizon she cannot see. After that, shedoes not look back anymore. She knows that if she does, she will weaken. She will lose what resolve she has because she will see an old bicycle speeding down a hill, bouncing on rocks and gravel, the metal pounding both their rears, clouds of dust kicked up with each sudden skid. She sits on the frame, and Masooma is the one on the saddle, she is the one who takes the hairpin turns at full speed, dropping the bike into a deep lean. But Parwana is not afraid. She knows that her sister will not send her flying over the handlebars, that she will not hurt her. The world melts into a whirligig blur of excitement, and the wind whooshes in their ears, and Parwana looks over her shoulder at her sister and her sister looks back, and they laugh together as stray dogs give chase.
    Parwana keeps marching toward her new life. She keeps walking, the darkness around her like a mother’s womb, and when it lifts, when she looks up in the dawn haze and catches a band of pale light from the east striking the side of a boulder, it feels like being born.

Four
    In the Name of Allah the Most Beneficent, the Most Merciful, I know that I will be gone when you read this letter, Mr. Markos, for when I gave it to you I requested that you not open it until after my death. Let me state now what a pleasure it has been to know you over the last seven years, Mr. Markos. As I write this, I think fondly of our yearly ritual of planting tomatoes in the garden, your morning visits to my small quarters for tea and pleasantry, our impromptu trading of Farsi and English