Cold Fire
the car the way a first-rate jockey handled a thoroughbred horse, finessing from it that extra degree of performance that won races. The Ford was only a stock model with no modification, but it responded to him as if it wanted to be a Porsche.
After a while Holly began to ask questions of her own. “How come you're a millionaire but you live relatively cheap?”
“Bought a house, moved out of my apartment. Quit my job.”
“Yeah, but a modest house. And your furniture's falling apart.”
“I needed the privacy of my own house to meditate and rest between … assignments. But I didn't need fancy furniture.”
Following a few minutes of mutual silence, she said, “Did I catch your eye the way you caught mine, right off the bat, up in Portland?”
He smiled but didn't look away from the highway. “ 'So are you, Miss Thorne.'”
“So you admit it!” Holly said, pleased. “It was a come-on line.”
They made excellent time from the west side of Los Angeles all the way to Ventura, but then Jim began to slack off again. Mile by mile, he drove with less aggression.
Initially Holly thought he was lulled by the view. Past Ventura, Route 101 hugged beautiful stretches of coastline. They passed Pitas Point, then Rincon Point, and the beaches of Carpinteria. The blue sea rose, the blue sky fell, the golden land wedged itself between them, and the only visible turbulence in the serene summer day was the white-capped surf, which slipped to the shore in low combers and broke with a light, foamy spray.
But there was a turbulence in Jim Ironheart, too, and Holly only became aware of his new edginess when she realized that he was not paying any attention to the scenery. He had slowed down not to enjoy the view but, she suspected, to delay their arrival at the farm.
By the time they left the superhighway, turned inland at Santa Barbara, crossed the city, and headed into the Santa Ynez Mountains, Jim's mood was undeniably darker. His responses to her conversational sallies grew shorter, more distracted.
State Route 154 led out of the mountains into an appealing land of low hills and fields painted gold by dry summer grass, clusters of California live oaks, and horse ranches with neat white fencing. This was not the farming-intense, agribusiness atmosphere of the San Joaquin and certain other valleys; there were serious vineyards here and there, but the occasional farms appeared to be, as often as not, gentlemen's operations maintained as getaways for rich men in Los Angeles, more concerned with cultivating a picturesque alternate lifestyle than with real crops.
“We'll need to stop in New Svenborg to get a few things before we head out to the farm,” Jim said.
“What things?”
“I don't know. But when we stop … I'll know what we need.”
Lake Cachuma came and went to the east. They passed the road to Solvang on the west, then skirted Santa Ynez itself. Before Los Olivos, they headed east on another state route, and finally into New Svenborg, the closest town to Ironheart Farm.
In the early nineteen hundreds, groups of Danish-Americans from the Midwest had settled in the Santa Ynez Valley, many of them with the intention of establishing communities that would preserve Danish folk arts and customs and, in general, the ways of Danish life. The most successful of these settlements was Solvang, about which Holly had once written a story; it had become a major tourist attraction because of its quaint Danish architecture, shops, and restaurants.
New Svenborg, with a population of fewer than two thousand, was not as elaborately, thoroughly, authentically, insistently Danish as Solvang. Depressing desert-style stucco buildings with white-rock roofs, weathered clapboard buildings with unpainted front porches that reminded Holly of parts of rural Texas, Craftsman bungalows, and white Victorian houses with lots of gingerbread and wide front porches stood beside structures that were distinctly Danish with half-timbered walls and thatched roofs and leaded-glass windows. Half a dozen windmills dotted the town, their vanes silhouetted against the August sky. All in all, it was one of those singular California mixes that sometimes resulted in delightful and unexpected harmonies; but in New Svenborg, the mix did not work, and the mood was discordancy.
“I spent the end of my childhood and my entire adolescence here,” Jim said as he drove slowly down the quiet, shadowy main street.
She figured that his moodiness could
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