Collected Prose

company of his bachelor friends: play tennis, have a good time with the girls. He carried on in this way until he was thirty-four.
    It was a life that suited him, and I can see why he went back to it after his marriage broke up. For a man who finds life tolerable only by staying on the surface of himself, it is natural to be satisfied with offering no more than this surface to others. There are few demands to be met, and no commitment is required. Marriage, on the other hand, closes the door. Your existence is confined to a narrow space in which you are constantly forced to reveal yourself—and therefore, constantly obliged to look into yourself, to examine your own depths. When the door is open there is never any problem: you can always escape. You can avoid unwanted confrontations, either with yourself or with another, simply by walking away.
    My father’s capacity for evasion was almost limitless. Because the domain of the other was unreal to him, his incursions into that domain were made with a part of himself he considered to be equally unreal, another self he had trained as an actor to represent him in the empty comedy of the world-at-large. This surrogate self was essentially a tease, a hyperactive child, a fabricator of tall tales. It could not take anything seriously.
    Because nothing mattered, he gave himself the freedom to do anything he wanted (sneaking into tennis clubs, pretending to be a restaurant critic in order to get a free meal), and the charm he exercised to make his conquests was precisely what made these conquests meaningless. With the vanity of a woman he hid the truth about his age, made up stories about his business dealings, talked about himself only obliquely—in the third person, as if about an acquaintance of his (“There’s a friend of mine who has this problem; what do you think he should do about it? …”). Whenever a situation became too tight for him, whenever he felt pushed to the verge of having to reveal himself, he would wriggle out of it by telling a lie. Eventually, the lie came automatically and was indulged in for its own sake. The principle was to say as little as possible. If people never learned the truth about him, then they couldn’t turn around and use it against him later. The lie was a way of buying protection. What people saw when he appeared before them, then, was not really him, but a person he had invented, an artificial creature he could manipulate in order to manipulate others. He himself remained invisible, a puppeteer working the strings of his alter-ego from a dark, solitary place behind the curtain.
    For the last ten or twelve years of his life he had one steady lady friend, and this was the woman who went out with him in public, who played the role of official companion. Every now and then there was some vague talk of marriage (at her insistence), and everyone assumed that this was the only woman he had anything to do with. After his death, however, other women began to step forward. This one had loved him, that one had worshipped him, another one was going to marry him. The principal girlfriend was shocked to learn about these other women: my father had never breathed a word about them to her. Each one had been fed a different line, and each one thought she had possessed him entirely. As it turned out, none of them knew the slightest thing about him. He had managed to elude them all.
    *

    Solitary. But not in the sense of being alone. Not solitary in the way Thoreau was, for example, exiling himself in order to find out where he was; not solitary in the way Jonah was, praying for deliverance in the belly of the whale. Solitary in the sense of retreat. In the sense of not having to see himself, of not having to see himself being seen by anyone else.
    Talking to him was a trying experience. Either he would be absent, as he usually was, or he would assault you with a brittle jocularity, which was merely another form of absence. It was like trying to make yourself understood by a senile old man. You talked, and there would be no response, or a response that was inappropriate, showing that he hadn’t been following the drift of your words. In recent years, whenever I spoke to him on the phone I would find myself saying more than I normally do, becoming aggressively talkative, chatting away in a futile attempt to hold his attention, to provoke a response. Afterwards, I would invariably feel foolish for having tried so hard.
    He did not smoke, he did