Cyberpunk

history.
    Jerome closed his eyes and looked into the back of his eyelids. The digital read-out was printed in luminous green across the darkness. He focused on the cursor, concentrated so it moved up to ACCESS. He subverbalized, “Open frequency.” The chip heard his practiced subverbalization, and numbers appeared on the back of his eyelids: 63391212.70. He read them out to the others and they picked up his frequency. Almost choking on the word, knowing what it would bring, he told the chip: “Open.”
    It opened to the link. He’d only done it once before. It was illegal, and he was secretly glad it was illegal because it scared him. “They’re holding the Plateau back,” his brain-chip wholesaler had told him, “because they’re scared of what worldwide electronic telepathy might bring down on them. Like, everyone will collate information, use it to see through the bastards’ game, throw the assbites out of office.”
    Maybe that was the real reason. It was something the power brokers couldn’t control. But there were other reasons.
    Reasons like a strikingly legitimate fear of people going mad.
    All Jerome and the others wanted was a sharing of processing capabilities. Collaborative calculation. But the chips weren’t designed to filter out the irrelevant input before it reached the user’s cognition level. Before the chip had done its filtering, the two poles of the link—Jerome and Jessie—would each see the swarming hive of the other’s total consciousness. Would see how the other perceived themselves to be, and then objectively, as they really were.
    He saw Jessie as a grid and as a holographic entity. He braced himself and the holograph came at him, an abstract tarantula of computer-generated color and line, scrambling down over him . . . and for an instant it crouched in the seat of his consciousness: Jessie. Jesus Chaco.
    Jessie was a family man. He was a patriarch, a protector of his wife and six kids (six kids!) and his widowed sister’s four kids and of the poor children of his barrio. He was a muddied painting of his father, who had fled the social forest fire of Mexico’s civil war between the drug cartels and the government, spiriting his capital to Los Angeles where he’d sown it into the black market. Jessie’s father had been killed defending territory from the Russian-American mob; Jessie compromised with the mob to save his father’s business, and loathed himself for it. Wanted to kill their bosses; had to work side by side with them. Perceived his wife as a functional pet, an object of adoration who was the very apotheosis of her fixed role. To imagine her doing other than child-rearing and keeping house would be to imagine the sun become a snowball, the moon become a monkey. Jessie’s family insistently clung to the old, outdated roles.
    And Jerome glimpsed Jessie’s undersides; Jesus Chaco’s self-image with its outsized penis and impossibly spreading shoulders, sitting in a perfect and shining cherry automobile, always the newest and most luxurious model, the automotive throne from which he surveyed his kingdom. Jerome saw guns emerging from the grill of the car to splash Jessie’s enemies apart with his unceasing ammunition . . . It was a Robert Williams cartoon capering at the heart of Jessie’s unconscious . . . Jessie saw himself as Jerome saw him; the electronic mirrors reflecting one another. Jessie cringed.
    Jerome saw himself then, reflected back from Jessie.
    He saw Jerome-X on a video screen with lousy vertical hold; wobbling, trying to arrange its pixels firmly and losing them. A figure of mewling inconsequence; a brief flow of electrons that might diverge left or right like spray from a water hose depressed with the thumb. Raised in a high-security condo village, protected by cameras and computer lines to private security thugs; raised in a media-windowed womb, with PCs and VCRs and a thousand varieties of video games; shaped by cable TV and fantasy rental; sexuality imprinted by sneaking his parents’ badly hidden cache of brainsex files. And in stations from around the world, seeing the same StarFaces appear on channel after channel as the star’s fame spread like a stain across the frequency bands. Seeing the Star’s World Self crystallizing; the media figure coming into definition against the backdrop of media competition, becoming real in this electronic collective unconscious.
    Becoming real, himself, in his own mind, simply because he’d