D Is for Deadbeat

homework to take care of. Finish your coffee, of course," she said. Her tone suggested that I suck it right down and scram.
    "I'm due back at the office anyway," I said, getting up. I looked at Tony. "Could you walk me to my car?"
    He glanced at Ramona, whose gaze dropped away from his. She didn't protest. He ducked his head in assent.
    He held the door for me while I gathered the skirt and shoes and turned back to her. "I nearly forgot. Are these yours, by any chance?"
    "I'm sure not," she said to me, and then to him, "Don't be long."
    He looked like he was on the verge of saying something, but he shrugged instead. He followed me out on the porch and down the steps. I led the way as we circled the house. The path to the street was paved with stepping-stones spaced oddly, so that I had to watch my feet to gauge the distances.
    "I have a question," I said as we reached the car.
    He was watching me warily by then, interested but on guard.
    "I was curious about the migraine you had Friday night. Do you remember how long that one lasted?"
    "Friday night?" His voice had a croak in it from surprise.
    "That's right. Didn't you have a migraine that night?"
    "I guess."
    "Think back," I said. "Take your time." He seemed uncomfortable, casting about for some visual clue. I'd seen him do this before, reading body language so he could adjust his response to whatever was expected of him. I waited in silence, letting his anxiety accumulate.
    "I think that's the day 1 got one. When I came home from school," he said, "but then it cleared."
    "What time was that?"
    "Real late. After midnight. Maybe two… two-thirty, something like that."
    "How'd you happen to notice the time?"
    "Aunt Ramona made me a couple of sandwiches in the kitchen. It was a real bad headache and I'd been throwing up for hours so I never had dinner. I was starving. I must have looked at the kitchen clock."
    "What kind of sandwiches?"
    "What?"
    "I was wondering what kind she made."
    His gaze hung on mine. The seconds ticked away. "Meatloaf," he said.
    "Thanks," I said. "That helps."
    I opened the VW on the driver's side, tossing skirt and shoes on the passenger seat as I got in. His version was roughly the same as his aunt's, but I could have sworn the "meatloaf" was a wild guess.
    I started the car and did a U-turn, heading toward the gates. I caught a glimpse of him in the rearview mirror, already moving toward the house.

Chapter 22
    It's a fact of life that when a case won't break, you have to go through the motions anyway, stirring up the waters, rattling all the cages at the zoo. To that end, on my way into town I did a long detour that included a stop at the trailer park, in hopes that Lovella would still be there. It was obvious to me, as I'm not a fool, that toting a green wool skirt and a pair of black suede heels all over town was a pointless enterprise. No one was going to claim them and if someone did, so what? The articles proved nothing. No one was going to break down sobbing and confess at the mere sight of them. The pop quiz was simply my way of putting them all on notice, making the rounds one more time to announce that I was still on the job and making progress, however insignificant it might appear.
    I knocked at the trailer door, but got no response. I jotted a note on the back of a business card, indicating that Lovella should call. I tucked it in the doorjam, went back to my car, and headed for town.
    Wayne Smith's office was located on the seventh floor of the Granger Building in downtown Santa Teresa. Aside from the clock tower on the courthouse, the Granger is just about the only structure on State Street that's more than two stories high. Part of the charm of the downtown area is its low-slung look. The flavor, for the most part, is Spanish. Even the trash containers are faced with stucco and rimmed with decorative tile. The telephone booths look like small adobe huts and if you can ignore the fact that the bums use them for urinals, the effect is quaint. There are flowering shrubs along the walk, jacaranda trees, and palms. Low ornamental stucco walls widen in places to form benches for weary shoppers. Everything is clean, well kept, pleasing to the eye.
    The Granger Building looks just like hundreds of office buildings constructed in the twenties-yellow brick, symmetrical narrow windows banded with granite friezes, topped by a steeply pitched roof with matching gables. Along the roofline, just below the cornice, there are decorative