Dead Man's Grip

up next to them. Branson recognized the driver, PC Dan Pattenden from the Road Policing Unit. Beside him, hunched forward, sat an arrogant-looking man in his early fifties, with slicked-back silver hair and a suspicious expression. As he turned his head, he reminded Branson of a badger. A woman sat behind him.
    The badger climbed out and yawned, then peered around, blinking, with a weary, defeated expression. He was wearing an expensive-looking fawn Crombie coat with a velvet collar, a loud orange and brown tie and brown loafers with gold buckles, and he sported an ornate emerald ring on his wedding finger. His skin had the jaundiced pallor of fake tan and a sleepless night.
    He’d just lost his son and, regardless of who he might be in the US crime world, Glenn could not help feeling sorry for him at this moment.
    The rear door of the car flew open as if it had been kicked. Branson breathed in a sudden snatch of perfume as the woman emerged, swinging her legs out and then launching herself upright. She was a little taller than her husband, with an attractive but hard face that looked tight with grief. Her short blonde hair was fashionably styled and immaculate, and her camel coat, dark brown handbag and matching crocodile boots had a quietly expensive aura.
    ‘Mr and Mrs Revere?’ Branson said, stepping forward with his hand outstretched.
    The woman looked at him like he was air, like she didn’t speak to black people, and tossed her head disdainfully away from him.
    The man smiled meekly and gave him an even meeker nod. ‘Lou Revere,’ he said. ‘This is my wife, Fernanda.’ He shook Glenn’s hand with a much firmer grip than Glenn had expected.
    ‘I’m Detective Sergeant Branson and this is Detective Sergeant Moy. We’re here to take care of you and help you in any way we can, along with PC Pattenden. We are very sorry about your son. How was your journey?’
    ‘Fucking awful, if you have to know,’ the woman said, still not looking at him. ‘They had no ice on the plane. You want to believe that? No ice. And just a bunch of stale sandwiches. Do we have to stand out here in the fucking rain?’
    ‘Not at all. Let’s get inside,’ Glenn said, and indicated the way forward.
    ‘Honey,’ the man said. ‘Honey—’ He looked apologetically at the two detectives. ‘It was a last-minute thing. An associate had just flown in, luckily, and had the plane on the tarmac at La Guardia. So it picked us up from our local airport. Otherwise we wouldn’t have been here until much later – if not tomorrow.’
    ‘We paid twenty-five thousand dollars and they didn’t have any fucking ice,’ she repeated.
    Glenn Branson was finding it hard to believe that anyone whose son had just died was going to be worried by something so trivial as lack of ice, but he responded diplomatically. ‘Doesn’t sound good,’ he said, stepping forward and leading the way around to the front of the building. Then he stopped in front of the small blue door, with its frosted glass panel, beneath the gaze of the CCTV camera up above, and rang the bell.
    It was opened by Cleo Morey’s assistant, Darren Wallace. He was a cheery-looking man in his early twenties, with black hair gelled in spikes, already gowned up in blue scrubs, his trousers tucked inside white gum boots. He greeted them with a pleasant smile and ushered them inside.
    The smell hit Glenn Branson immediately, the way it always did,
almost making him retch. The sickly sweet reek of Trigene disinfectant could mask, but could never get rid of, the smell of death that permeated the whole place. The smell you always took away with you on your clothes.
    They went through into a small office and were introduced to Philip Keay, the Coroner’s Officer. A tall, lean man, wearing a sombre dark suit, he had swarthy good looks beneath dark, buzz-cut hair and thick eyebrows, and his manner was courteous and efficient.
    The Assistant Anatomical Pathology Technician then led the way along the tiled corridor, past the glass window of the isolation room. He hurried them past the open door of the post-mortem room, where three naked corpses were laid out, and into a small conference room. It had an octagonal table with eight black chairs around it and two blank whiteboards on the wall. A round clock in a stainless-steel frame was fixed to the wall. It read: 7.28.
    ‘Can I offer you any tea or coffee?’ Darren Wallace asked, indicating for them to sit down.
    Both Americans shook