Declare

food in turn.”
    And, finally, in order to “divest her of the Judeo–Christian spiritual gag reflex,” she had been driven to the Lubyanka, only three blocks east of the Metropol Hotel, and taken down many flights of stairs to the basements. After fasting and being kept awake by electric shocks for forty-eight hours, she was shown the ring of huge rectangular stones in one of the remotest chambers, each stone with a loop carved at its top, and inside the ring she saw the crushed, skinned, and eviscerated bodies that had lately been offered to Machikha Nash; and she was taken to a cell full of Polish and Romanian women, and was allowed to talk to them in pidgin German for a few minutes before being forcibly restrained while they were brutally and deafeningly killed by guards with machetes; and after she was finally allowed to eat, she was told something abominable about the stew she’d eaten. Throughout the three-day ordeal she was prevented from sleeping and was constantly forced to choke down glass after glass of harsh vodka.
    At last she was marched into a wide, tiled room that shone a sulfurous yellow in the light of an electric bulb that hung on a cord from the ceiling; two wooden chairs stood facing each other across fifteen feet, with a drain in the floor between them. Elena was tied into one of the chairs and given a hypodermic injection, and then an old man in a white coat came in and talked droningly to her as he swung in front of her eyes a tiny, anatomically perfect gold skull. After some time a young woman was brought into the chamber by a couple of aproned guards; the girl was dressed in a blood-spattered smock that was a precise copy of the one Elena wore, and she had clearly been chosen because of her strong physical resemblance to Elena—auburn hair, thin face, sunken, haunted eyes. She too appeared to have been drugged, and she didn’t struggle when the guards tied her into the other chair, facing Elena.
    “This woman is you,” the old doctor told Elena in guttural English as he stood behind the girl, with his hands on her shoulders, “and you are sitting right here, you can feel the ropes that confine you; the chair out there toward which I am looking is empty.” He was staring down at the top of the girl’s head as he spoke, though Elena was finding it difficult to focus her eyes. “You feel my hands on your shoulders, don’t you?”
    Elena did—and when the doctor lit a cigarette and leaned down to blow smoke in the girl’s face, Elena smelled the burning tobacco. After some unguessable period of time, punctuated by more injections and electric shocks and many administrations of vodka through a rubber hose, Elena found that she was able to see from the girl’s eyes, and she could see that the doctor was right—the chair across the room was empty.
    At last the old doctor stood away from her, with his back to the empty chair, and Elena saw him draw a revolver from the pocket of his lab coat. “Now you will be killed,” he informed her. He pointed the gun at her face, and she saw his finger whiten inside the trigger guard.
    A wall seemed to break in Elena’s mind—and in the instant before the gun’s muzzle exploded in stunning and obliterating white light, she thought, Santa Maria, Madre de Dios—
    And when consciousness, but not light, returned to her, along with the sensation of lying on a cold stone floor, the voice in her head resumed where it had left off, simply because she had no thoughts of her own: —ruega por nosotros, pecadores, ahora en esta hora de nuestra muerte.
    Pray for us, sinners, now in this hour of our death. Because there were no thoughts in her head, her concussed memory simply repeated the prayer over and over again.
    Another voice was saying similar words in the dark, in insistent Spanish and Russian, and she tried to attend to the other voice’s sentences too.
    Then she was alone, lying in darkness for some period she could not estimate, without food or drink. She was able to move, and feel with her palms the texture of the stone floor and walls, and she could remember being hypnotized and told to identify herself with the girl who had been shot, but she was not at all certain that she was not in fact herself dead. And after the lights were turned on at last, and Utechin unlocked a barred door to run to where she lay and tip a glass of cold clear water to her cracked lips, she explained that the string she had tugged from her smock and tied into a