Friend of My Youth

sex. I fought against everything my mother wanted to tell me on this subject; I despised even the drop in her voice, the gloomy caution, with which she approached it. My mother had grown up in a time and in a place where sex was a dark undertaking for women. She knew that you could die of it. So she honored the decency, the prudery, the frigidity, that might protect you. And I grew up in horror of that very protection, the dainty tyranny that seemed to me to extend to all areas of life, to enforce tea parties and white gloves and all other sorts of tinkling inanities. I favored bad words and a breakthrough, I teased myself with the thought of a man’s recklessness and domination. The odd thing is that my mother’s ideas were in line with some progressive notions of her times,and mine echoed the notions that were favored in my time. This in spite of the fact that we both believed ourselves independent, and lived in backwaters that did not register such changes. It’s as if tendencies that seem most deeply rooted in our minds, most private and singular, have come in as spores on the prevailing wind, looking for any likely place to land, any welcome.
    Not long before she died, but when I was still at home, my mother got a letter from the real Flora. It came from that town near the farm, the town that Flora used to ride to, with Robert, in the cart, holding on to the sacks of wool or potatoes.
    Flora wrote that she was no longer living on the farm.
    “Robert and Audrey are still there,” she wrote. “Robert has some trouble with his back but otherwise he is very well. Audrey has poor circulation and is often short of breath. The doctor says she must lose weight but none of the diets seem to work. The farm has been doing very well. They are out of sheep entirely and into dairy cattle. As you may have heard, the chief thing nowadays is to get your milk quota from the government and then you are set. The old stable is all fixed up with milking machines and the latest modern equipment, it is quite a marvel. When I go out there to visit I hardly know where I am.”
    She went on to say that she had been living in town for some years now, and that she had a job clerking in a store. She must have said what kind of a store this was, but I cannot now remember. She said nothing, of course, about what had led her to this decision—whether she had in fact been put off her own farm, or had sold out her share, apparently not to much advantage. She stressed the fact of her friendliness with Robert and Audrey. She said her health was good.
    “I hear that you have not been so lucky in that way,” she wrote. “I ran into Cleta Barnes who used to be Cleta Stapleton at the post office out at home, and she told me that there is some problem with your muscles and she said your speech is affectedtoo. This is sad to hear but they can do such wonderful things nowadays so I am hoping that the doctors may be able to help you.”
    An unsettling letter, leaving so many things out. Nothing in it about God’s will or His role in our afflictions. No mention of whether Flora still went to that church. I don’t think my mother ever answered. Her fine legible handwriting, her schoolteacher’s writing, had deteriorated, and she had difficulty holding a pen. She was always beginning letters and not finishing them. I would find them lying around the house.
My dearest
Mary, they began.
My darling Ruth, My dear little Joanne (though I realize you are not little anymore), My dear old friend Cleta, My lovely Margaret
. These women were friends from her teaching days, her Normal School days, and from high school. A few were former pupils. I have friends all over the country, she would say defiantly. I have dear, dear friends.
    I remember seeing one letter that started out:
Friend of my Youth
. I don’t know whom it was to. They were all friends of her youth. I don’t recall one that began with
My dear and most admired Flora
. I would always look at them, try to read the salutation and the few sentences she had written, and because I could not bear to feel sadness I would feel an impatience with the flowery language, the direct appeal for love and pity. She would get more of that, I thought (more from myself, I meant), if she could manage to withdraw with dignity, instead of reaching out all the time to cast her stricken shadow.
    I had lost interest in Flora by then. I was always thinking of stories, and by this time I probably had a new one on my