Gone Tomorrow

stepped inside and collapsed into the nearest seat.
    Nine blocks. Maybe a minute. Enough to cure me of subway surfing for life.
    There were three other passengers in my car. None of them even looked at me. The doors sucked shut. The train moved on.
    * * *
    I got out at Herald Square. Where 34th Street meets Broadway and Sixth. Ten to four in the morning. Still on schedule. I was twenty blocks and maybe four minutes north of where I got on the train in Union Square. Too far and too fast for organized DoD resistance. I came up from under the ground and walked east to west along Macy’s imposing flank. Then I headed south on Seventh all the way to the door of Lila Hoth’s chosen hotel.
    The night porter was behind the counter. I didn’t unzip my jacket for him. I didn’t think it would be necessary. I just walked up to him and leaned over and slapped him on the ear. He fell off his stool. I vaulted over the counter and caught him by the throat and hauled him upright.
    I said, “Tell me the room numbers.”
    And he did. Five separate rooms, not adjacent, all of them on the eighth floor. He told me which one the women were in. The men were spread out over the other four. Originally thirteen guys, and eight available beds. Five short straws.
    Or five on sentry duty.
    I took the roll of black duct tape out of my pocket and used about eight yards of it to bind the porter’s arms and legs. A dollar and a half from any hardware store, but as much a part of standard-issue Special Forces equipment as the thousand-dollar rifles and the satellite radios and the navigation systems. I stuck a final six-inch length across his mouth. I stole his pass card. Just tore it right off its curly cord. Then I left him out of sight on the floor behind the counter and headed for the elevator bank. Got in and pressed the highest number available, which was eleven. The doors slid shut and the car bore me upward.
    At that point I unzipped my jacket.
    I settled the gun at a nice angle on its strap and I took the leather glove out of my other pocket and slipped it on my left hand. The MP5SD has no fore grip. Not like the stubby K variant, which has a fat little handle under the muzzle. With the SD you use your right hand on the pistol grip and your left hand supports the barrel casing. The inner barrel has thirty holes drilled in it. The powder in the round neither burns nor explodes. It does both. It deflagrates. It creates a bubble of superheated gas. Some of the gas escapes through the thirty holes, which quiets the noise and slows the bullet to a subsonic velocity. No point in silencing a gun if its bullet is going to create a supersonic snap all its own. A slow bullet is a quiet bullet. Just like the VAL Silent Sniper. The escaping gas comes through the thirty holes and expands and swirls around in the inner silencer chamber. Then it passes to the second chamber and expands some more and swirls some more. Expanding cools the gas. Basic physics. But not by much. Maybe it reduces from superheated to extremely hot. And the outer barrel casing is metal. Hence the glove. No one uses an MP5SD without one. Springfield was the kind of guy who thinks of everything.
    On the left side of the gun was a combined safety and fire selector switch. The older versions of the SD that I remembered had a three-position lever. S , E , and F. S for safe, E for single shots, and F for automatic fire. German abbreviations, presumably. E for ein , or one, and so on and so forth, even though Heckler & Koch had been owned by a British corporation for many years. I guessed they decided that tradition counts. But Springfield had given me a newer model. The SD4. It had a four-position selector switch. No abbreviations. Just pictograms. For foreign convenience, or illiterate users. A plain white dot for safe, one little white bullet shape for single shots, three bullet shapes for three-round bursts, and a long string of bullet shapes for continuous automatic fire.
    I chose three-round bursts. My favorite. One pull of the trigger, three nine-millimeter rounds inside a quarter of a second. An inevitable degree of muzzle climb, minimized by careful control and the weight of the silencer, resulting in a neat little stitch of three fatal wounds climbing a vertical line maybe an inch and a half high.
    Works for me.
    Thirty rounds. Ten bursts. Eight targets. One burst each, plus two left over for emergencies.
    The elevator chimed open on the eleventh floor, and I heard Lila