love rectangles, and even a cameo appearance by the late, not-so-great Aenghus Óg.”
“That was twelve years ago, Oberon, but, yes, that god.”
“No, Aenghus wasn’t, but his half brother, Midhir, was. They were both sons of the Dagda. And it’s Midhir who might be behind all this.”
“I haven’t met him, have I?” Granuaile asked.
“No, he was at the Fae Court the day you were introduced, but he did not introduce himself. I remember seeing him seated with the Tuatha Dé Danann on the right side of Brighid, but he didn’t come up to say hi with the rest of them.”
“That’s my theory.”
“All right. I don’t think I should tell you the wholething—it would take too long. It’s practically an epic, called
Tochmarc Étaíne
, or
The Wooing of Étaín
. These events took place before I reached my first century of life. I had already discovered the secret to Immortali-Tea, thanks to Airmid, daughter of Dian Cecht, but I had yet to acquire Fragarach. Ready for the short version—the version I heard from people living at the time, not the one written down by Christian monks centuries later?”
“Okay. Midhir desired a woman who was not his wife—a beautiful woman named Étaín. With Aenghus Óg’s help, he got her, and he lived with her for a year and a day—which effectively divorced him from his first wife, Fúamnach, according to the laws of the time. Fúamnach disapproved of the match, as you might expect, and being no slouch at magic herself, she turned Étaín into a large purple butterfly that was blown about on the wind for seven years, until the poor lass landed on the shoulder of Aenghus Óg.
“Realizing it was Étaín and that Midhir was especially talented in shape-shifting others besides himself, Aenghus warded Étaín with wild magic and tried to return her to Midhir, in hopes of saving her. But Fúamnach again summoned winds and blew Étaín away. This time the butterfly fell into a flagon and was consumed by the wife of a warrior who’d been trying to start a family. Aenghus Óg’s wards preserved Étaín’s life in singular fashion: She made the leap from digestive system to womb, shifted from butterfly to egg, and was eventually reborn to this woman, still beautiful but remembering nothing of her former existence.”
“Well, it was a big-ass wooden flagon, Oberon, not a glass brandy snifter. You don’t take dainty sips out of a flagon. You gulp giant draughts at a time and let rivulets of mead flow out the sides of your mouth. If she felt anything at all, she’d probably chalk it up to something going down the wrong tube.”
“That was Aenghus Óg’s wild magic ward at work. It’s supposed to protect you, but its effects are unpredictable since it improvises its responses to danger. Most of the wards I craft are simply wards of repulsion, to prevent certain kinds of beings from passing—like a ring of salt can prevent the passage of spirits but not much else. Wild magic is capable of doing most anything.”
“As far as I know it’s true. The details were given to me by the Morrigan and Airmid after the fact. The Morrigan heard part of it from Aenghus Óg, and Airmid heard part of it from her father, Dian Cecht, whose role in this I’m kind of skipping for brevity.”
“Years later, the High King of Ireland, Eochaid Airem, had his pick of the most beautiful women in Ireland for his bride and naturally chose to wed Étaín. The Tuatha Dé Danann always took note when the High King took a wife, and that is how Midhir learned that his old love was walking the world again. Midhir still loved her, but she, of course, didn’t remember him at all. So he set about wooing her in epic fashion.
“The story here goes on for quite some time about the love rectangle between Étaín and three men: Midhir, King Eochaid, and Eochaid’s brother, Aillil. Aillil was basically a puppet in
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