Intensity
passion, where shadows dwell that are older than human history, a mystical adventure awaits.
If the woman, in fact, is wandering in the woods, he could park the motor home and search for her. Perhaps the knife that he found at the service station is an omen, after all, and hers may be the blood that he is meant to draw with that blade.
He imagines what it would be like to take off his clothes and enter the grove naked with the knife, relying solely on his primitive instincts to stalk her and bring her down, the rain and mist cold on his skin, the air steaming once he has breathed it, unchilled by the rain but imparting his heat to the night, tearing ferociously at the woman's clothes as he drags her to the forest floor. He is already erect with the dream of it, but he wonders if he would attack her first with knife or phallus-or perhaps with his teeth. That decision would be made in the moment of capture, and much would depend on how attractive she was; but he is convinced that whatever might happen between them would be unprecedented and mysterious-and inexpressibly intense .
Dawn is coming in an hour or so, however, and he would be wise to be on his way. He must put more distance between himself and the places where he took his entertainment during the night.
Being good at being Edgler Vess requires, among other qualities, the ability to repress his most ardent passions when indulgence in them is dangerous. If he instantly gratified every desire, he would be less a man than an animal-and either long dead or imprisoned. Being Edgler Vess means being free but not reckless, being quick but not impulsive. He must have a sense of proportion. And good timing. Hell, he needs the timing of a tap-dance master. And a nice smile. A truly nice smile combined with self-control can take a person a long way.
He smiles at the forest.
The motor home stood on the pavement, approximately twenty feet from the battered Honda, shrunken in appearance because the redwoods dwarfed it.
As the killer had walked down the roadway to the abandoned car through the headlight beams from the motor home, Chyna had crept upslope through the dark forest, moving parallel to him but in the opposite direction. She had circled behind the tree to the right of her, gripping the revolver in her right hand, with her left hand flat against the trunk for balance in case she stumbled over a root or other obstruction. Under her palm, she had felt the deep pattern of repetitive Gothic arches formed by the fissures in the thick bark. With each uncertain step that she had taken around this great easy curve, she had felt that the tree was less like a tree than like a building, a windowless fortress erected against all the rage of the world.
After navigating a hemisphere of the trunk to the shoulder-wide gap between this tree and the next, she peered out once more. The killer stood near the open door of the Honda, gazing into the forest on the far side of the highway.
She was worried that another motorist would come along before she could carry out her plan.
She moved on, circling the next tree. It was even larger than the previous behemoth. The bark featured the familiar Gothic patterns.
In spite of the shrill wind keening high above and collected drizzles of rain spattering down from the lofty branches, the grove impressed her as a good safe place, dark but not in spirit, cold but not forbidding. She was still alone in her troubles-but curiously, for the first time all night, she didn't feel alone.
At the next trunk-framed gap in the forest wall, Chyna looked out again and saw the killer getting into the Honda. He would have to move the disabled car out of the way, because there wasn't room to drive around it.
She glanced at the motor home. Perhaps because she knew what lay within it-a dead man closeted in chains, a dead woman swaddled in a white shroud-the vehicle seemed as ominous as any war machine.
She could just wait in the grove. Forget about her plan. He would leave, and life would go on.
So easy to wait. Survive.
The police would find the girl. Ariel. Somehow. In time. Without the need for heroics.
Chyna leaned against the tree, suddenly weak. Weak and shaking. Shaking and almost physically ill with despair, with fear.
The taillights and interior lights of the Honda dimmed with the
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