Lancelot
tonight. You may not be able to leave tomorrow.â
âI know. But those bastards want to make a party out of it. Margot ought to have better sense.â
âIf I were you, I would leave now. Itâs all the same to me.â It was.
He paced the gallery, frowning, cocked an eye at the yellow sky.
âOr is Jacoby still the director?â
âJacoby! That son of a bitch couldnât direct traffic in Boutee, Louisiana.â
âWell?â
He snapped his finger. âBy God I will leave!â His spinning white-fibered eye looked past me into the future. He snapped his finger again. âYou know what Iâm going to do?â
âNo.â
âIâm going to head north right out of this swamp. Iâm going to drive straight to Virginia, up the Shenandoah Valley, and pick up Frances, who has a horse farm near Lexington. Iâll say to her: Letâs go back to Tanzania. We were there once. We lived in a Land Rover. We saw leopard. Sheâs a soldier, a good girl. She might evenâSheâs always been my love. I took her once to Spain and showed her the Ebro River, where I fought. Yes, Christ, I did that too. Can you believe it? Sheâs a good girl, a comrade. Sheâs a comrade, brother, daughter, lover to me. All I have to do is say, Honey, letâs go back to the high country, and sheâll go. Jesus, what an idea youâve given me! I might even do a film. What do you think of a film about a man and woman who are good comrades, go on a hunt, and then have good sex together?â
âIt sounds fine.â
âIf it is fine, why do I feel so rotten? Iâve always been a man with a great longing and lust for life and love, Lance. Do you understand that?â
âYes.â
âI know it could be good between me and Frances again.â
âIt might be.â
âTell me honestly.â
âItâs possible.â
âIt would be good even ifââ
âYes, it would.â
âI feel rotten now but it could be good between us. What do you think?â
âI think it might be good between you.â
âFrances knows me better than any other woman.â
âIâm sure of it.â
âShe and I were always good together.â
âThatâs good.â
âWe could be good together again.â
âIâm sure of that.â
âI might do something, a story, something, about the dying out of the wildebeest and the death too of human love and then a renewal and a greening, a greening and a turning back of the goddamn advancing Sahara. You understand?â
âYes.â
âThe Sahara of the soul too.â
âYes, but right now you ought to think of leaving.â
âIâm leaving. Iâll speak to the others.â
âWhat about the others?â I asked with a slight constriction of anxiety in the throat.
âTo say goodbye. Christ, they wouldnât dream of leaving. Do you know what theyâre doing now?â
âNo.â
âRaine is taking sandwiches and champagne up to your belvedere. Theyâre going to have a party named Goodbye movie, hello Marie.â
I must have looked blank for he explained: âGoodbye movie hurricane, hello the real thing.â
âThatâs a good place to get killed up there. Too much glass.â
âJust try to tell them that.â
âI intend to speak to Margot.â
âOn second thought why donât you tell her goodbye for me. As for the others, Iâd as soon Marie blew their asses in the river. Do you know what those batbrains are doing?â
âNo.â
âTheyâre popping pills and hauling anisette and tequila up to the belvedere. Theyâre going to have a party.â
âI know.â
Merlin gave me a long firm handshake with two hands and a long level-eyed stare clouded with hidden meanings. Heâd been in the movies too long.
âLucy, jump in your Porsche and take off for school. Youâve got thirty minutes.â
âPapaaauh!â She trailed off in a musical downbeat-up-beat, an exact rendering of Raineâs famous mannerism.
âYou heard me.â
âI want to stay with Raine through the hurricane.â
âNo goddamn it. Now get going.â
Lucy looked surprised. Everyone acted as if I were an ancestor who had wandered out of his portrait and begun giving orders. Everyone obeyed from sheer surprise.
Later I heard
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