Lancelot
back?â
âRight.â
âOkay.â We might have been discussing his chores for the day.
âOh yes. Something else. Take Ellis and Suellen to Magnolia, Mississippi, where yâall have kinfolks. Itâs on I-55, on your way north. They can return after the storm. You wonât have any trouble persuading them. Theyâre both scared to death. They are the only people around here who have any sense.â
âOkay. Is that all?â
âThatâs all.â
âWhat are you going to do?â
âMe? Iâm fine, Elgin.â
âDonât you need me to help you move all those folks out of here?â
âNo.â
âOkay. Wellââ
We shake hands. He gives me a level-eyed look. Heâs seen too many movies. Or maybe itâs being in one. The level-eyed look means we understand each other and have been reconciled, perhaps by the Christlike stranger played by Dana. When the truth is, nobody understands anyone else, and nobody is reconciled because nobody knows what there is to be reconciled. Or if there is something to be reconciled, the way it is done in the movies, by handshakes, level-eyed looks, expressions of mute understanding, doesnât work.
Donât you agree? No? Do you really believe people can be reconciled?
âOne more thing, Elgin.â
âYes?â He was standing in the doorway in a way he learned from Jacoby. It was an actorâs way of standing in a doorway at a moment of farewell, eyes fine, face slanted.
âWhen you shake hands with somebody, squeeze.â
âOkay,â he said frowning. He left slightly offended.
Did it ever occur to you in considering those instances of blacks who decide they want to act like whites and are very observant and successful in doing so (they are even better than the Japanese in imitating usâso much so that Elgin can act more like Mannix than Mannix) that no matter how observant one is, one cannot by observation alone assess the degree of squeeze in a handshake or even be sure there is a squeeze at all?
I was wrong about one thing. Merlin too had good sense and no taste for hurricanes. He was leaving.
For once I astonished myself: I wanted him to leave! I wanted him to get away, escape, the man who had made love to my wife in the Roundtowner Motor Lodge in Arlington, Texas, on or about July 15, 1968, and begot my daughter Siobhan.
Why?
Because he, poor old man, had come to as bad a place as a man can come to. Going back to Africa to find his youth. To see leopard. It was as if I had lit out for Asheville looking for dead Lucy. An old man should find new things. Shooting was too good for him. Anyhow I liked him and he liked me.
I caught him fidgeting up and down the gallery after the rest of the crew had gone.
âI was working on the causeway in the Keys when that son of a bitch (they had no womenâs names for hurricanes then) hit in 1928. Theyâre no joke and Iâd as soon not see another one.â
âDidnât some people get killed?â
âAbout five hundred. Christ, what I havenât seen in my life. What I havenât done. Three things Iâve lovedâwomen, life, and art.â
âIn that order?â
âIn that order.â
âWell, youâve got plenty of life left.â
He looked at me, then looked at me again.
âRight!â he said. âAnd Iâm in good shape. Iâve got a good body. Feel that, Lance,â he said, making a bicep.
âOkay. Very good.â
âThatâs the arm of a young man. Feel my gut.â
âFlat and hard.â
âHit me.â
âThatâs not necessary.â
âGo ahead, hit me. You canât hurt me.â
âI believe you.â
âI can beat the shit out of anybody hereâexcept you, Lance. I believe you could take me.â
âI doubt it. Iâm in rotten shape.â
âYou want to arm wrestle?â
âNo.â
âYouâve got a good body. You know what you ought to do?â
âNo.â
âKung Fu. Youâd be great at it. Youâre a natural athlete, with an athleteâs grace and strength. It would be good for you.â
âYou may be right, Merlin. You know what you ought to do?â
âWhat?â
âGet out of here.â
âWeâre leaving the first thing tomorrow morning. Those other nuts want to spend the night.â
âMarie is arriving
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