Mr. Murder
know quite when to expect them.
The fatty meat is cloying, so periodically he dips into a wide-mouth jar of mayonnaise and scoops out thick wads of the stuff, sucking it off his fingers to lubricate a mouthful of food that he finds hard to swallow even with the aid of another bottle of Corona. He concludes his meal with two thick slices of chocolate cake, washing those down with beer as well, whereafter he hastily cleans up the mess with paper towels and washes his hands at the sink.
He is revitalized.
With the silver-framed photograph in hand, he returns to the second floor, taking the stairs two at a time. He proceeds to the master bedroom, where he clicks on both nightstand lamps.
For a while he stares at the king-size bed, excited by the prospect of having sex with Paige. Making love. When it is done with someone for whom you truly care, it is called "making love."
He truly cares for her.
He must care.
After all, she is his wife.
He knows that her face is good, excellent, with a full mouth and fine bone structure and laughing eyes, but he can't tell much about her body from the photograph. He imagines that her breasts are full, belly flat, legs long and shapely, and he is eager to lie with her, deep inside of her.
At the dresser, he opens drawers until he finds her lingerie.
He caresses a half-slip, the smooth cups of a brassiere, a lace-trimmed camisole. He removes a pair of silky panties from the drawer and rubs his face with them, breathing deeply while repeatedly whispering her name.
Making love will be unimaginably different from the sweaty sex he has known with sluts picked up in bars, because those experiences have always left him feeling empty, alienated, frustrated that his desperate need for true intimacy is unfulfilled. Frustration fosters anger, anger leads to hatred, hatred generates violence-and violence sometimes soothes. But that pattern will not apply when he makes love to Paige, for he belongs in her arms as he has belonged in no others.
With her, his need will be satisfied every bit as much as will his desire. Together, they will achieve a union beyond anything he can imagine, perfect oneness, bliss, spiritual as well as physical consummation, all of which he has seen in countless movies, bodies bathed in golden light, ecstasy, a fierce intensity of pleasure possible only in the presence of love. Afterward, he will not have to kill her because then they will be as one, two hearts beating in harmony, no reason for killing anyone, transcendent, all needs gloriously satisfied.
The prospect of romance leaves him almost breathless.
"I will make you so happy, Paige," he promises her picture.
Realizing he hasn't bathed since Saturday, wanting to be clean for her, he returns her silken panties to the stack from which he had plucked them, closes the dresser drawer, and goes into his bathroom to shower.
He strips out of the clothes he took from the motorhome closet of the white-haired retiree, Jack, in Oklahoma on Sunday, hardly twenty-four hours ago. After wadding each garment into a tight ball, he stuffs it into a brass wastebasket.
The shower stall is spacious, and the water is wonderfully hot.
He works up a heavy lather with the bar of soap, and soon the clouds of steam are laden with an almost intoxicating floral aroma.
After drying off on a yellow towel, he searches bathroom drawers until he finds his toiletries. He uses a roll-on deodorant and then combs his wet hair straight back from his forehead to let it dry naturally.
He shaves with an electric razor, splashes on some limescented cologne, and brushes his teeth.
He feels like a new man.
In his half of the large walk-in closet, he selects a pair of cotton briefs, blue jeans, a blue-and-black-checkered flannel shirt, athletic socks, and a pair of Nikes. Everything fits perfectly.
It feels so good to be home.
Paige stood at one of the windows and watched the gray clouds roll in from the west, driven by a Pacific wind. As they came, the earth below them darkened, and sun-mantled buildings put on cloaks of shadows.
The inner sanctum of her three-room, sixth-floor office suite had two large panes of glass that provided an uninspiring view of a freeway, a shopping center, and the jammed-together roofs of housing tracts that
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