New Orleans Noir

then he pulls a nine and ties you and everybody else in the place up, and executes all y’all with a shot to the backa the head using a raw peeled potato as a silencer, for eighty-eight dollars and change. And somebody else, who got lucky and missed her bus and was a little late to work that day, finds five bodies a few minutes later, still warm and oozing.
    And this on a beautiful Thanksgiving weekend morning, clear blue Creole sky in the French Quarter, for God’s sake, well, felt like the beginning of the end to me. Maybe more so ’cause it was a rare day off for me, and I’m taking the kids on a little stroll through the Quarter, pointing out this and that historic feature, and the difference between a slave quarters and a garçonnière , and I get the call to get on over there, sorry ’bout your day off, Reynolds, and I say, nah, I don’t need no address, I’m lookin ’ at it, mac—and I am, standing across the street, taking in the crowd and the cop cars and emergency vehicles, and when I can’t bear it no more, looking up again at the soft blue Louisiana sky, trying to put the two together.
    Or maybe it was when those kids popped that priest, Father Peterson, off his bike further down in the Marigny, almost to Bywater. Out for a sunset ride, beloved in the neighborhood, and these punks just whacked the padre for kicks, far as we know, wasn’t like nobody was ever arrested. And this sorta shit’s why the town was deserted after dark in most neighborhoods long before the hurricane tore it up—and talking about that , parts of this town were always so raggedy-assed, you’d be hard-pressed to know what piece of decrepitude was there before or after Katrina: St. Claude, Tremé, St. Roch, St. Bernard, Central City, Desire. I mean, I defy you to tell me—
    Or maybe it was Officer Antoinette Frank that broke my particular camel’s back, where she and her cousin lit up her partner and the Vietnamese family they both moonlit for as part-time after-dark security. A police officer, sworn to serve and protect. She was that family’s guardian angel, and she did them like that—and again, all for a few bucks, supposedly. The cousin said she thought they kept gold bullion in the back room, them being Vietnamese and all. Maybe. But who’d be that stupid? And what the real reason was, how’ll we ever know? She’s still on death row, Officer Frank, and the hurricane probably gave her another five years of undeserved life at least, delaying as it did every judicial proceeding large or small in the great state of Louisiana. And her, we know she done her daddy, too, filed a missing person’s on him and moved right into his house, and they found his bones under it and didn’t even bother to charge her with that.
    You smell that? I don’t mean that slop in the footlocker—a smell I could never possibly describe to a civilian, except to say you gotta burn your clothes after a crime scene like this. Never wear nothing you wanna hold onto to a crime scene, I tell the rooks. Nah. I mean that —the night air. Sweet. Jasmine. Confederate jasmine.
    Now, I’m a Seventh Ward, all the way. That’s the Creole ward, y’all, the Mighty Seventh. And I always lived in the Seventh Ward—always. Where I live since the hurricane, my mama’s house. I mean, same house I come up in on Dauphine Street in the Marigny, the Triangle, between Touro and Pauger—a double camelback with a screened-in side gallery, that we all piled into since our place in Gentilly had thirteen inches of water in it … on the second floor. I lie in bed, windows thrown open in the nice weather, I can smell the jasmine, the coffee roasting down along the river, hear the carriages rattling home at night after a day in the tourist trade, the clack clack of the mules’ hooves. I just lie there, I can hear the train whistle way down in the Bywater. Can hear the ferry boat horns out on the river. The out-of-tune calliope on the Creole Queen . All kinds of birds. The rain rattling in the gutters. The wind whipping the palm fronds. I don’t know. Place makes my heart ache. Way it smells, way it sounds. Way it looks. No place as pretty and sad as New Orleans. Depending on if the sun’s shining or not. You ever notice that? Sun’s out, ain’t no prettier place on earth. No place more … resplendent. But gray and gloomy, cloudy, rainy, this town is so shabby, dreary, and downright depressing, makes you wanna take morphine and die. As the old song