Nightside 01 - Something From the Nightside
chauffeur and chilled champagne always at the ready. I tried not to smile as I led her through the crush of the crowds. Turned out she didn't carry change on her, so I ended up having to pay for tickets for both of us. I even had to show her how to work the machines with her ticket.
The escalators were all working for once, and we made our way deeper into the system. I took turnings at random, trusting to my old instincts to guide me,
until finally I spotted the sign I was looking for. It was written in a language only those in the know would even recognise, let alone understand. Enochian, in case you're interested. An artificial language, created long ago for mortals to talk with angels, though I only ever met one person who knew how to pronounce it correctly. I grabbed Joanna by the arm and hustled her into the side tunnel underneath the sign. She jerked her arm free angrily, but allowed me to urge her through the door marked Maintenance. Her protests stopped abruptly as she found herself in what appeared to be a closet, half-full of scarecrows in British Rail uniforms. Don't ask. I pulled the door shut behind us, and there was a blessed moment of peace as the door separated us from the roar of the crowds. There was a phone on the wall. I picked it up. There was no dialling tone. I spoke a single word into the receiver.
"Nightside."
I put the phone back and looked expectantly at the wall. Joanna looked at me, mystified. And then the dull grey wall split in two, from top to bottom, both sides grinding apart in a steady shuddering movement, to form a long narrow tunnel. The bare walls of the tunnel were bloodred, like an opened wound, and the sourceless light was dim and smoky. It smelled of ancient corrupt perfumes and crushed flowers. A murmur of many voices came from within the tunnel, rising and falling. Snatches of music faded in and
out, like so many competing radio signals. Somewhere a cloister bell was ringing, a lost and lonely, doleful sound.
"You expect me to go into that?" said Joanna, finding her voice at last. "It looks like the road to Hell!"
"Close," I said calmly. "It's the way to the Night-side. Trust me; this part of the journey is quite safe."
"It feels bad," Joanna said quietly, staring fascinated into the tunnel, like a bird at a snake. "It feels ... unnatural."
"Oh, it's all of that. But it's the best way to get to your daughter. If you can't handle this, turn back now. It's only going to get worse."
Her head came up, and her mouth firmed. "You lead the way."
"Of course."
I stepped forward into the tunnel, and Joanna was right there behind me. And so we left the everyday world behind.
We emerged from the connecting tunnel onto a station platform that at first glance was no different than what you'd expect. Joanna took a deep breath of relief. I didn't say anything. It was better for her to notice things for herself. The wall closed silently behind us as I led Joanna down the platform. It was five years since I'd last been here, but nothing had really changed. The cream-tiled walls were spattered here and there with old dried bloodstains, deep gouges
that might have been clawmarks, and all kinds of graffiti. As usual, someone had spelt Cthulhu wrongly.
On the curving wall opposite the platform, the list of destinations hadn't changed. Shadows Fall. Night-side. Haceldama. Street of the Gods. The posters were still strange, disturbing, like scenes from dreams best forgotten. Famous faces advertised films and places and services of the kind normally only discussed in whispers. The people crowding the platform were a sight in themselves, and I enjoyed Joanna's reactions. It was clear she would have liked to stop and stare open-mouthed, but she was damned if she'd give me the satisfaction. So she stumbled on, wide eyes darting from one unexpected sight to the next.
Here and there buskers were playing unfamiliar tunes, their caps on the floor before them, holding coins from all kinds of places, some of which no longer existed, and a few that never had. One man sang a thirteenth-century ballad of unrequited love in plain-chant Latin, while not far away another sang Bob Dylan verses backwards, accompanying himself on air guitar. The guitar was slightly out of tune. I dropped a few coins into both their caps. Never know when you might need a little extra credit in the karma department.
Further down the platform, a stooped neanderthal in a smart business suit was talking animatedly
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