O Is for Outlaw
Through the narrow slits I could watch him track an unseen movie or perhaps lines of print. Where was his mind while his body lay so still? I disconnected my emotions by focusing on equipment that surrounded his bed: a cart, a sink, a stainless-steel trash-can with a pop-up lid, a rolling chair, a glove dispenser, and a paper towel rack, utilitarian articles that hardly spoke of death.
The presence of Detective Aldo lent a strange air of unreality to our reunion. Mickey's chest rose and fell in a regular rhythm, a bellows effect forcing his lungs to inflate. Under his hospital gown, I could see a tube top of white gauze bandages. When I'd met him, he was thirty-six. He was now almost fifty-three, the same age as Robert Dietz. For the first time I wondered if my involvement with Dietz had been an unwitting attempt to mend the breach with Mickey. Were my internal processes that obvious?
I stared at Mickey's face, watching him breathe, glancing at the blood pressure cuff that was attached to one arm. At intervals, the cuff would inflate and deflate itself, with a whining and a wheeze. The digital readout would then appear on the monitor above his head. His blood pressure seemed stable at 15 over 80, his pulse 74. It's embarrassing to remember love once the feeling's died, all the passion and romanticism, the sentimentality and sexual excess. Later, you have to wonder what the hell you were thinking of. Mickey had seemed solid and safe, someone whose expertise I admired, whose opinions I valued, whose confidence I envied. I'd idealized him without even realizing what I was doing, which was taking my projection as the stone-cold truth. I didn't understand that I sought in him the qualities I lacked or hadn't yet developed. I'd have denied to the last breath that I was looking for a father figure, but of course I was.
I became conscious of Gian Aldo, who stared at Mickey with a silence similar to mine. What could either of us say beyond the trite and the obvious? I finally spoke up. "I should let you get back to work. I appreciate this."
"Any time," he said.
He walked me down through the hospital and across the plaza. I punched the elevator button and he waited with me dutifully. "I'm fine," I said, meaning he could leave.
"I don't mind," he said, meaning not-on-your-sweet-life.
When the elevator arrived, I got in and turned, giving him a little wave as the doors slid shut. I found my car, unlocked it, turned the key in the ignition, and put the gears in reverse. By the time I made the three circles upward to ground level, he was waiting in his car by the exit, his engine idling. I pulled out of the lot onto Tiverton, and when I reached Le Conte I turned left. Detective Aldo did likewise, keeping pace with me as I headed toward the freeway. He was still asserting his control, as I was keenly aware. I could understand his desire to see me off, though I felt like the villain in a Western movie being escorted out of town. I kept track of his car in my rearview mirror, not that he made any effort to disguise his intent. West on Sunset, north on the 405, driving toward the 101, we formed a two-car motorcade at sixty miles an hour. I began to wonder if he was going to follow me all the way home.
I watched the cross streets go by: Balboa, White Oak, Reseda, did the man have no faith? What'd he think I was going to do, circle back to UCLA? At Tampa, I saw him lean forward and pick up his radio mike, apparently responding to a call. The subject must have been urgent because he suddenly veered off, crossing two lanes of traffic before he headed down the exit ramp. I kept my acceleration constant, my gaze fixed on the mirror to see if he'd reappear. Detective Aldo was a sneak, and I wouldn't put it past him to try a little misdirection. Winnetka, DeSoto, Topanga Canyon passed. It looked like he was gone. For once my angels were in agreement. One said, Nobody's perfect, and the other said, Amen.
I took the next off-ramp.
Chapter 10
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Mickey had been shrewd in listing an address on Sepulveda. According to the Thomas Guide, there are endless variations. Sepulveda Boulevard seems to spring forth in the north end of the San Fernando Valley. The street then traces a line south, often hugging the San Diego Freeway, all the way to Long Beach. The North and South Sepulveda designations seem to jump back and forth, claiming ever-shifting sections of the street as it winds from township to township. There are East and West
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