O Is for Outlaw

planted along the side, real shin-bangers. By straining only slightly – which is to say, jumping up and down like a Zulu – I was able to peek in the windows through the wroughtiron burglar bars. Most of what I saw were bedrooms barely large enough for a king-sized bed. The occupants seemed to use the windowsills to display an assortment of homely items: cracker boxes, framed snapshots, mayonnaise jars filled to capacity with foilwrapped condoms. In one unit, someone was nurturing a handsome marijuana plant.
    Mickey's apartment building didn't have a lobby, but an alcove in the front stairwell housed a series of metal mailboxes with names neatly embossed on short lengths of red, blue, and yellow plastic. Even Mickey couldn't buck post office regulations. By counting boxes, I knew there were twenty apartments distributed on three floors, but I had no way to guess how many flats were the one, and two-bedroom units and how many were studios. His was unit, H. The manager was on the ground floor in 1, A to my immediate right.
    The name on the mailbox read HATFIELD, B & C. I decided to postpone contact until after I'd reconnoitered Mickey's place.
    I went up the front stairs to the second floor, following the progression of front doors and picture windows that graced each flat. There were no burglar bars up here. Mickey's was the corner unit at the rear of the building on the right-hand side. There was a neat yellow X of crime-scene tape across his door. An official caution had been affixed advising of the countless hideous repercussions if crime-scene sanctity was breached. The gallery continued around the corner and ran along the back of the building, so that Mickey's rear windows overlooked the alleyway below and the gully to the right. A second set of stairs had been tacked on back here, probably to bring the building into compliance with fire department codes. Mickey probably considered this a mixed blessing. While the privacy offered a potential intruder unimpeded access to his windows, it also gave Mickey an easy means of egress. When I peered over the railing, I could see my VW below like a faithful steed, so close I could have leapt down and galloped off at a moment's notice.
    All Mickey's sliding glass windows were secured. Knowing him, he'd tucked heavy wooden dowels into the inside track so the windows would only slide back a scant six inches. The lock on his front door, however, seemed to be identical to those on the neighboring apartments. The manager must have discouraged swapping out the standard model for something more effective. I studied my surroundings. The alley was deserted and I saw no signs of any other tenant. I slipped on my rubber gloves and went to work with my pick. A friend in Houston had recently sent me a keen toy: a battery-operated pick that, once mastered, worked with gratifying efficiency. It had taken me awhile to get the hang of it, but I'd practiced on Henry's door until I had the technique down pat.
    The door yielded to my efforts in less than fifteen seconds, the pick making no more noise than an electric toothbrush. I tucked the pick back in my fanny pack, loosened one end of the yellow tape, and stepped over the doorsill, turning only long enough to resecure the tape through the gap before I closed the door behind me. I checked my watch, allowing myself thirty minutes for the search. I figured if a neighbor had observed me breaking in, it would take the L.A. cops at least that long to respond to the call.
    The interior was dim. Mickey's curtains were drawn, and sunlight was further blocked by the six-story building across the alley. Mickey still smoked. Stale fumes hung in the air, having permeated the carpet, the drapes, and all the heavy upholstered furniture. I checked the cigarette butts that had been left in the ashtrays, along with an array of wooden kitchen matches. All were the same Camel filters he'd been smoking for years, and none bore the telltale red rim suggesting female companionship. An Elmore Leonard paperback had been left on the arm of the sofa, open at the midpoint. Mickey had introduced me to Elmore Leonard and Len Deighton. In turn, I'd told him about Dick Francis, though I'd never known if he read the British author with the same pleasure I did. The walls were done in a temporary-looking pine paneling that was nearly sticky with the residue of cigarette tars. The living room and dining room formed an L. The furniture was clumsy – big overstuffed pieces