One Door From Heaven
he done.
She blotted her hands on her shorts.
Most self-mutilators were deeply self-involved. A small number could be confidently diagnosed as narcissists, which was where old Sinsemilla and the psychologists definitely could shake hands. Mother in a merry mood often sang an ebullient mantra that she'd composed herself: "I am a sly cat, I am a summer wind, I am birds in flight, I am the sun, I am the sea, I am me!" Depending on the mix of illegal substances that she consumed, when she was balancing just so on the tightrope between hyperactivity and drooling unconsciousness, she would sometimes repeat this mantra in a singsong voice, a hundred times, two hundred, until she either fell asleep or broke down sobbing and then fell asleep.
In three clinkless steel-assisted steps, Leilani reached the door. Ear to the jamb. Not a sound from the other side. Ripley usually had a big gun and a flamethrower. Here was where Mrs. D's occasional confusion of reality and cinema would come in handy. Recalling her previous triumph over the egg-laying alien queen, Geneva would smash through the door without hesitation, and kick butt.
One more blot. You didn't want slippery hands in a slippery situation.
Sinsemilla said she cried because she was a flower in a world of thorns, because no one here could see the full beautiful spectrum of her radiance. Sometimes Leilani thought this might indeed be the reason that her mother dissolved so often in tears, which was scary because it implied a degree of delusion that made this woman more alien than the ETs that Preston eagerly pursued. Narcissistic seemed inadequate to describe someone who, even when caked in her own vomit and reeking of urine and babbling incoherently, believed herself to be a more delicate and exquisite flower than any hothouse orchid.
Leilani knocked on the bedroom door. Unlike her mother, she had a respect for other people's personal spaces. Sinsemilla didn't respond to the knock. Maybe dear Mater was fine, in spite of her performance in the backyard. Maybe she was sleeping peacefully and ought to lie left to enjoy her dreams of better worlds.
Yeah, but maybe she was in trouble. Maybe this was one of those limes when knowing CPR proved useful or when you wanted paramedics. If you were on the road in unknown territory, you could pull down directions to the nearest hospital from a satellite; this high-tech age was the safest time in history for perpetually wrecked freaks with a yen to travel.
She knocked again.
She wasn't sure whether she should be relieved or anxious when her mother called out to her in a fruity theatrical voice: "Pray ye, say who knocketh upon my chamber door."
On a few occasions, when Sinsemilla had been in one of these playacting moods, Leilani had played along with her, speaking with the fake old-English dialect, using stage gestures and exaggerated expressions, hoping that a minim of mother-daughter bonding might occur. This always proved to be a bad idea. Old Sinsemilla didn't want you to become a member of the cast; you were expected only to admire and be charmed by her performance, for this was a one-woman show. If you persisted in sharing the spotlight, the larky dialogue took a nasty turn, whereupon you found yourself the target of mean criticism and vicious obscenities delivered in the stupid phony voice of whatever Shakespearean character or figure from Arthurian legend that Sinsemilla imagined herself to be.
So instead of saying, " 'Tis I, Princess Leilani, inquiring after m'lady's welfare," she said, "It's me. You okay?"
"Enter, enter, Maiden Leilani, and come thou quickly to thy queen's side."
Yuck. This was going to be worse than blood and mutilation.
The master bedroom was as much a grunge bucket as the other rooms in the house.
Sinsemilla sat in bed, atop the toad-green polyester spread, reclining regally against a pile of pillows. She wore the full-length embroidered slip with flounce-trimmed skirt that she had bought last month at a flea market near Albuquerque, New Mexico, on their way to explore the alien enigmas of Roswell.
If whorehouse decor favored red light, as reputed, then this atmosphere was holier suited to a prostitute than to a queen. Though both nightstand lamps were aglow, a scarlet silk blouse draped one lampshade, and a scarlet cotton blouse covered the other. This quality of
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