Orphan Train

do.

Spruce Harbor, Maine, 2011
    Molly trudges up the road toward Vivian’s from the bus stop, her laptop in her backpack, red Braden slung over one shoulder and Hawaiian Ashley on the other.
     The duffels are knocking into each other like rowdy patrons at a bar, with Molly stuck
     between. It’s slow going.
    Before the blowup with Dina, Molly had planned to go to Vivian’s tomorrow, to tell
     her what she found at the library. Well, plans change.
    Leaving was anticlimactic. Dina stayed behind her shut bedroom door with the TV blaring
     while Ralph lamely offered to help Molly with her bags, loan her a twenty, drive her
     somewhere. Molly almost said thank you, almost gave him a hug, but in the end she
     just barked, “No, I’m fine, see ya,” and propelled herself forward by thinking: This
     is already over, I am already gone . . .
    Occasionally a car lumbers past—this being the off-season, most cars on the road are
     sensible Subarus, ten-ton trucks, or clunkers. Molly is wearing her heavy winter coat
     because, though it’s May, this is, after all, Maine. (And who knows, she might end
     up sleeping in it.) She left behind heaps of stuff for Ralph and Dina to deal with,
     including a few hideous synthetic sweaters Dina had tossed her way at Christmas. Good
     riddance.
    Molly counts her steps: left, right, left, right. Left right. Left right . Her left shoulder hurts, strap digging into bone. She jumps in place, shifting the
     straps. Now it’s sliding down. Shit. Jump again. She’s a turtle carrying its shell.
     Jane Eyre, staggering across the heath. A Penobscot under the weight of a canoe. Of
     course her load is heavy; these bags contain everything she possesses in the world.
    What do you carry with you? What do you leave behind?
    Gazing ahead at the dark blue sky striated with clouds, Molly reaches up and touches
     the charms around her neck. Raven. Bear. Fish.
    The turtle on her hip.
    She doesn’t need much.
    And even if she loses the charms, she thinks, they’ll always be a part of her. The
     things that matter stay with you, seep into your skin. People get tattoos to have
     a permanent reminder of things they love or believe or fear, but though she’ll never
     regret the turtle, she has no need to ink her flesh again to remember the past.
    She had not known the markings would be etched so deep.
    A PPROACHING V IVIAN ’ S HOUSE , M OLLY LOOKS AT HER PHONE . I T ’ S later than she thought it would be—8:54.
    The fluorescent overhead bulb on the porch gives off a dim pink light. The rest of
     the house is dark. Molly heaves her bags onto the porch, rubs her shoulders for a
     minute, then walks around to the back, the bay side, peering up at the windows for
     any sign of life. And there it is: on the second floor of the far right side, two
     windows glow. Vivian’s bedroom.
    Molly isn’t sure what to do. She doesn’t want to scare Vivian, and now that she’s
     here she realizes that even ringing the doorbell would startle her at this hour.
    So she decides to call. Gazing up at Vivian’s window, she dials her number.
    “Hello? Who is it?” Vivian answers after four rings in a strained, too-loud voice,
     as if communicating with someone far out at sea.
    “Hi, Vivian, it’s Molly.”
    “Molly? Is that you?”
    “Yes,” she says, her voice cracking. She takes a deep breath. Steady, stay calm. “I’m
     sorry to bother you.”
    Vivian comes into view in the window, pulling a burgundy robe over her nightgown.
     “What’s the matter? Are you all right?”
    “Yes, I—”
    “Goodness, do you know what hour it is?” Vivian says, fussing with the cord.
    “I’m so sorry to call this late. I just—I didn’t know what else to do.”
    There’s silence on the other end as Vivian absorbs this. “Where are you?” she says
     finally, perching on the arm of a chair.
    “I’m downstairs. Outside, I mean. I was afraid it would alarm you if I rang the bell.”
    “You’re where?”
    “Here. I’m here. At your house.”
    “Here? Now?” Vivian stands up.
    “I’m sorry.” And then Molly can’t help it, she starts to cry. It’s cold on the grass
     and her shoulders ache and Vivian is freaked out and the Island Explorer is done for
     the night and the garage is dark and creepy and there’s nowhere else in the world
     she can think of to go.
    “Don’t cry, dear. Don’t cry. I’ll be right down.”
    “Okay.” Molly heaves in a breath. Pull yourself together!
    “I’m hanging up