Pompeii
hurried towards his study.
It was not possible –
She would not dare –
He knew there was something wrong the moment he picked up the lamp and took it over to his desk. It was an old trick, learned from his former master – a hair in the drawer to tell him if a curious hand had been meddling in his affairs – but it worked well enough, and he had let it be understood that he would crucify the slave who could not be trusted.
There was no hair. And when he opened the strong box and took out the document case there were no papyri, either. He stood there like a fool, tipping up the empty capsa and shaking it like a magician who had forgotten the rest of his trick, then hurled it across the room where it splintered against the wall. He ran out to the courtyard. His wife had opened Corelia's shutters and was standing on the balcony, her hands pressed to her face.
Corelia had her back to the mountain as she came through the Vesuvius Gate and into the square beside the castellum aquae. The fountains had started to run again, but the flow was still weak and from this high vantage point it was possible to see that a dusty pall had formed over Pompeii, thrown up by the traffic in the waterless streets. The noise of activity rose as a general hum above the red roofs.
She had taken her time on the journey home, never once spurring her horse above walking pace as she skirted Vesuvius and crossed the plain. She saw no reason to speed up now. As she descended the hill towards the big crossroads, Polites plodding faithfully behind her, the blank walls of the houses seemed to rise on either side to enclose her like a prison. Places she had relished since childhood – the hidden pools and the scented flower gardens, the shops with their trinkets and fabrics, the theatres and the noisy bath-houses – were as dead to her now as ash. She noticed the angry, frustrated faces of the people at the fountains, jostling to jam their pots beneath the dribble of water, and she thought again of the aquarius. She wondered where he was and what he was doing. His story of his wife and child had haunted her all the way back to Pompeii.
She knew that he was right. Her fate was inescapable. She felt neither angry nor afraid any more as she neared her father's house, merely dead to it all – exhausted, filthy, thirsty. Perhaps this would be her life from now on, her body going through the routine motions of existence and her soul elsewhere, watchful and separate? She could see a crowd in the street up ahead, bigger than the usual collection of hangers-on who waited for hours for a word with her father. As she watched they seemed to break into some outlandish, ritualistic dance, leaping into the air with their arms outstretched then dropping to their knees to scrabble on the stones. It took her a moment to realise that they were having money thrown to them. That was typical of her father, she thought – the provincial Caesar, trying to buy the affection of the mob, believing himself to be acting like an aristocrat, never recognising his own puffed-up vulgarity.
Her contempt was suddenly greater than her hatred and it strengthened her courage. She led the way round to the back of the house, towards the stables, and at the sound of the hooves on the cobbles an elderly groom came out. He looked wide-eyed with surprise at her dishevelled appearance, but she took no notice. She jumped down from the saddle and handed him the reins. 'Thank you,' she said to Polites and then, to the groom, 'See that this man is given food and drink.'
She passed quickly out of the glare of the street and into the gloom of the house, climbing the stairs from the slaves' quarters. As she walked she drew the rolls of papyri from beneath her cloak. Marcus Attilius had told her to replace them in her father's study and hope their removal had not been noticed. But she would not do that. She would give them to him herself. Even better, she would tell him where she had been. He would know that she had discovered the truth and then he could do to her what he pleased. She did not care. What could be worse than the fate he had already planned? You cannot punish the dead.
It was with the exhilaration of rebellion that she emerged through the curtain into the House of Popidius and walked towards the swimming pool that formed the heart of the villa. She heard voices to her right and saw in the drawing room her future husband and the magistrates of Pompeii. They turned to look
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