Sandalwood Death: A Novel (Chinese Literature Today Book Series)

gentle, demure woman who draws people to her at first sight. No one would have believed that she could actually commit murder. He said that the greatest degree of compassion an executioner can bestow upon his victim is to do his job well. If you respect or love her, then it is your duty to see that she becomes a model for execution. If you truly respect her, then you must fearlessly make her body the canvas on which you display the highest standards of your artistry. It is no different from a renowned actor performing onstage. Shifu said that so many Peking citizens thronged to watch the beautiful prostitute suffer the slicing death that more than twenty people were crushed or trampled to death on the marketplace execution ground. He said that in the presence of such a beautiful body, it would have been a sin, a crime, not to put all he had into the task before him, heart and soul. More to the point, if he had made a mess of things, an angry crowd might have torn him to pieces, for Peking crowds at executions were harder to please than any other. He did a fine job that day, with the cooperation of the woman herself. Seen from one angle, it was, from start to finish, a stage performance, acted out by the executioner and his victim. Such performances were spoiled if the criminal overdid the screaming part; but a total lack of sounds was just as bad. The ideal was just the right number of rhythmic wails, producing sham expressions of sympathy among the observers while satisfying their evil aestheticism. Shifu said that he had gained an insight into people only after thousands of individuals had died at his hands over a stretch of decades: All people, he said, are two-faced beasts. One of those faces displays the virtues of humanity, justice, and morality, representing the three cardinal guides and five constant virtues. The other is the face of bloodsucking thieves and whores. The appetite for evil is stimulated in anyone who willingly watches the spectacle of a beautiful woman being dismembered one cut at a time, whether that person be a man of honor, a virtuous wife, or a chaste maiden. Subjecting a beautiful woman to the slicing death is mankind’s most exquisitely cruel exhibition. The people who flock to such exhibitions, Shifu said, are far more malicious than those of us who wield the knife. He said he spent many sleepless nights reliving every detail of that day’s execution, like a chess master replaying each move in a brilliant match that has forged his reputation. That night he mentally dismembered her body, then pictured it all coming back together. Her tearful yet melodic moans and shrieks swirled around his ears from start to finish in an unbroken stream. And the captivating odor that emerged from her body as it was being ravaged by his knife filled his nostrils. An ill wind struck the nape of his neck, a swoosh created by the beating wings of impatient, rapacious birds of prey. His infatuated recollections paused briefly at that juncture, like a pose struck by an actor on the operatic stage. At this point, little skin or flesh remained on her body, but her face was unmarked, and it was time for the coup de grace. His heart lurched as he sliced off a piece of her heart. It was deep red, the color of a fresh date; he held it on the tip of his knife like a precious gem as he looked into her ashen oval face, moved by the sight. He heard a sigh emerge from somewhere deep down in her chest. Sparks—not many, just a few—seemed to glimmer in her eyes, from which two large teardrops slipped down her face. He saw her lips move with difficulty and heard her say, soft as a mosquito’s buzz: “not . . . guilty . . .” The light went out of her eyes; the flame of life was extinguished. Her head, which had rocked back and forth throughout the ordeal, slumped forward, covered by a curtain of hair so black it looked as if it had just been taken out of a dyeing vat.
    Zhao Jia’s fiftieth cut completed the paring of Qian’s chest muscles. The first tenth of his work was now behind him. After his apprentice handed him a new knife, he took two deep breaths in order to normalize his breathing. Qian’s ribs were exposed, as he could see, connected by thin membranes. The man’s heart was pumping like a jackrabbit wrapped in gauze. He felt good about his progress so far. The flow of blood had been stanched, and the fiftieth cut had removed the chest muscles, just as he had planned. The sole blemish so far was that the