Sandalwood Death: A Novel (Chinese Literature Today Book Series)

little place that gave him no room to put his talents to good use.” Song Three was clearly trying to ingratiate himself with me. “You have been away for many years, Laoye, and there is much about your qinjia that you do not know. He and I were friends for many years, so close that I can tell you how many moles he has on his you-know-what.”
    I had seen too many people like this fellow—toadies and bullies who know how to say what you want to hear, whoever you are, man or demon—but I was in no mood to expose him for what he was, not then; allowing him to carry on behind me served a purpose.
    “Sun Bing is a man of extraordinary talents. Words flow from his mouth as if written by a scholar, and he is endowed with a flawless memory. If only he knew how to read and write, he could be a capped scholar ten times over. Some years back,” Song Three continued, “when Old Qin’s mother died, they asked Sun Bing’s troupe to perform in the mourning hall. Qin and Sun were good friends—Qin’s mother was Sun’s ganniang—and Sun sang the funeral passages with deep emotion. But it was more than that—not only did his singing break the hearts of the filial descendants, they heard a pounding sound emerge from the coffin itself; the gathered descendants and people who had dropped by out of curiosity nearly died of fright, their faces a ghostly white. Isn’t that what’s called shocking the dead back to life? Well, Sun Bing walked up to his ganniang’s bier, opened the lid in grand fashion, and the old lady sat up, light streaming from her eyes, like a pair of lanterns tearing through the dark curtain of night. Then Sun Bing sang these lines: ‘When I call out Ganniang, listen carefully as your son sings “Chang Mao Wails at the Bier.” If you have not lived enough, get up and live some more. If you have, then when my song is finished, fly to heaven, away from here.’ Sun Bing kept changing roles, from the sheng to the dan, weeping one moment and laughing the next, interspersed with all sorts of cat cries, turning the bier into a living, lively opera stage. All the filial descendants put aside their grief, while the casual spectators forgot that an old lady, just brought back from the dead, was sitting up in her coffin, listening to the performance. When Sun Bing sang the final high note, which hung in the air like the tail of a kite, Old Lady Qin slowly closed her eyes, released a contented sigh, and fell back into her coffin like a toppled wall. That is the story of how Sun Bing sang someone back from the dead. And there is more: he can also sing the living to death. Old Lady Qin is the only person he ever sang back from the dead, but the bastard has sung more living people to death than there are stars in the sky.” While he was spouting his story, Song Three sidled over to the cauldron, reached in, and snatched a piece of beef. “This beef of yours,” he said with an impudent smile, “has a wonderful flavor—”
    Before he could finish what he was going to say, I saw the bastard straighten up as something erupted on his head and he tumbled into the cauldron of boiling oil. While my eyes were riveted on the scene in front of me, my ears pounded from the explosion of bone, and my nose was assailed by the smell of gunpowder merging with the sesame-enhanced smell of sandalwood. I knew immediately what had happened: someone had fired a shot in ambush, one meant for me. The greedy Song Three had been my unwitting stand-in.

C HAPTER F IFTEEN

Meiniang’s Grievance
Dieh, oh, Dieh, Zhao Jia says he will impale you on a sandalwood stake, and Meiniang has nearly lost her mind. She flies to the county yamen to appeal to Qian Ding, but the gate is shut, guarded by soldiers malign. To the left, Yuan Shikai’s Imperial Guards, to the right, von Ketteler’s German troops, standing heads high, chests out, Mauser rifles aligned. I step forward; those German devils and Chinese soldiers glare with eyes big and round as brass bells, their ferocious snarls meant to keep me out. My heart pounds, my legs tremble, I fall. With wings on my shoulders, I could not enter the yamen, for these are powerful, strong-willed soldiers, not bumbling militiamen, those friends of mine. They have enjoyed my company, and the iron railing would come down by letting them have their way, I opined. But the Germans are hard-hearted, the Imperial Guards an impressive cadre, and if I break for the gate, the holes in my body would be of their