Satan in St Mary

eyes which weighed him up and then slid away when they met his. Corbett was suddenly frightened. He felt the hair on the nape of his neck curl and he fought down the urge to rise and run from the tavern. The strong ale made him sleepy and he tensed, realizing that he had to make his way back to the river bank. A woman, a whore with a blonde wig and a scarlet, loose flowing dress, came up and leaned against the table: a young girl with a sweet face and eyes a thousand years old, she lisped and promised him delights for a drink and a few coins. Corbett panicked. He rose, shoved her aside and, ignoring her stream of rich profanities, pushed through the crowd to the door. Was this, he thought, how Savel was trapped? A blow on the head, then dragged away? Corbett opened the door, entered the cold silence of the night and almost screamed as the black-haired monster approached him. Corbett stepped back against the door and watched the evil, satanic masked figure come closer.
    He scrabbled for his dagger but the grotesque mask was suddenly lifted and a young, boyish face smiled at him. Corbett, weak-kneed, breathed a sigh of relief and stood aside to let the youth, Satan from the mummers' play he had seen earlier, enter the tavern.
    Corbett composed himself, rearranged his cloak and withdrew his long Welsh dagger. Holding this against his chest, he began to walk through the winding rutted streets, avoiding the heaps of ordure outside each door and the open sewer which ran down the centre of the street. There were shadows deep within other ones but they saw the knife and let him pass unmolested. Corbett breathed deeply and turned into the street he knew led down to the river bank and then suddenly stopped. He was sure he had heard footsteps behind him, something quiet, slithering across the cobbles. He whirled round but there was nothing. He continued on his way, the river bank was before him.
    There was torch light, a group of boatmen, the sound of voices. Corbett walked on. The sound behind him re-occurred, almost like the patter of children's feet but Corbett sensed it was something evil pursuing him through the darkness. He gathered his breath, sheathed his knife and burst into a sudden run, the night wind whipping his cheeks, his cloak flapping behind. Corbett reached the bank and almost fell into one of the barges. An astonished boatman jumped in after him, Corbett gabbled his instructions, scanning the bank for any signs of pursuit. There was none, only the silent baleful darkness of Southwark, soon hidden by a mist as the barge nosed its way across the cold, black river.
Ten
    It was dark when Corbett turned into Thames Street where the fog from the river had curled inland obscuring every recognizable landmark. He was so tired and exhausted after his meeting with Burnell and the journey to Southwark, that he never even saw where the attackers came from. They were just there, muffled and hooded, stepping sideways like dancers towards him. He instinctively knew that these were not the 'roaring boys', bullies or cutthroats from the gutter but professional assassins. There were two of them, almost indistinguishable in the misty darkness, silent and dangerous, armed with long swords and short wicked daggers. Corbett unclasped his robe, rolled it around one arm and drew the long Welsh dagger from his belt. He remembered the advice of an old mercenary who had chatted about the macabre dance-like routine of professional street-fighters and, before the advice was clear of his brain, had acted upon it, sending the dagger straight into the chest of the nearest assassin.
    His attacker tottered on the balls of his feet and then, with almost a sigh, slumped to his knees and pitched forward onto his face. His companion was stunned and by the time he resumed his fighting stance, Corbett had picked up the sword of the fallen assassin and was preparing to meet him. But he lacked his companion's mettle and when a casement above them opened and a raucous voice asked what was happening, he turned and fled into the mist even as the casement shut with an angry bang.
    Corbett waited for a while before turning over the corpse of the fallen attacker with his foot. His knife had torn a huge gaping wound in the chest, made even worse by the man's fall. Corbett withdrew his dagger, wiped it clean on the dead man's tunic and pulled the hood from his dead assassin's face to reveal staring eyes, close-cropped hair and pox-pitted cheeks. Corbett had