Shirley
of any unhappy wight – especially of the female sex – who dared in her presence to show the light of a gay heart on a sunny countenance. In her estimation, to be mirthful was to be profane; to be cheerful was to be frivolous: she drew no distinctions. Yet she was a very good wife, a very careful mother, looked after her children unceasingly, was sincerely attached to her husband; only, the worst of it was, if she could have had her will, she would not have permitted him to have any friend in the world beside herself: all his relations were insupportable to her, and she kept them at arm's length.
Mr. Yorke and she agreed perfectly well; yet he was naturally a social, hospitable man – an advocate for family unity – and in his youth, as has been said, he liked none but lively cheerful women. Why he chose her – how they contrived to suit each other, is a problem puzzling enough, but which might soon be solved if one had time to go into the analysis of the case. Suffice it here to say, that Yorke had a shadowy as well as a sunny side to his character, and that his shadowy side found sympathy and affinity in the whole of his wife's uniformly overcast nature. For the rest, she was a strong-minded woman; never said a weak or a trite thing; took stern, democratic views of society, and rather cynical ones of human nature; considered herself perfect and safe, and the rest of the world all wrong. Her main fault was a brooding, eternal, immitigable suspicion of all men, things, creeds, and parties: this suspicion was a mist before her eyes, a false guide in her path, wherever she looked, wherever she turned.
It may be supposed that the children of such a pair were not likely to turn out quite ordinary, common-place beings; and they were not. You see six of them, reader: the youngest is a baby on the mother's knee; it is all her own yet – and that one she has not yet begun to doubt, suspect, condemn; it derives its sustenance from her, it hangs on her, it clings to her, it loves her above everything else in the world: she is sure of that, because, as it lives by her, it cannot be otherwise, therefore she loves it.
The two next are girls, Rose and Jessy; they are both now at their father's knee; they seldom go near their mother, except when obliged to do so. Rose, the elder, is twelve years old; she is like her father, – the most like him of the whole group, – but it is a granite head copied in ivory; all is softened in colour and line. Yorke himself has a harsh face; his daughter's is not harsh, neither is it quite pretty; it is simple, – childlike in feature; the round cheeks bloom: as to the grey eyes, they are otherwise than childlike, – a serious soul lights them, – a young soul yet, but it will mature, if the body lives; and neither father nor mother have a spirit to compare with it. Partaking of the essence of each, it will one day be better than either, – stronger, much purer, more aspiring. Rose is a still, sometimes a stubborn girl now: her mother wants to make of her such a woman as she is herself, – a woman of dark and dreary duties, – and Rose has a mind full-set, thick-sown with the germs of ideas her mother never knew. It is agony to her often to have these ideas trampled on and repressed. She has never rebelled yet; but if hard driven, she will rebel one day, and then it will be once for all. Rose loves her father: her father does not rule her with a rod of iron; he is good to her. He sometimes fears she will not live, so bright are the sparks of intelligence which, at moments, flash from her glance, and gleam in her language. This idea makes him often sadly tender to her.
He has no idea that little Jessy will die young, she is so gay and chattering, arch – original even now; passionate when provoked, but most affectionate if caressed; by turns gentle and rattling; exacting yet generous; fearless – of her mother for instance, whose irrationally hard and strict rule she has often defied – yet reliant on any who will help her. Jessy, with her little piquant face, engaging prattle, and winning ways, is made to be a pet; and her father's pet she accordingly is. It is odd that the doll should resemble her mother feature by feature, as Rose resembles her father, and yet the physiognomy – how different!
Mr. Yorke, if a magic mirror were now held before you, and if therein were shown you your two daughters as they will be twenty years from this night, what would you think? The magic
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