Stuart Woods_Stone Barrington 14
because the Agency people I showed the photographs to unanimously agreed that he is not; too young, wrong facial features. Also, I have been able to confirm that he is, in fact, one Barney Cox, one of four British subjects sought for questioning in a robbery of cash from a company at Heathrow Airport, in London, some months ago. Confidence is extremely high, to the point of certainty.â
âThank you for confirming that,â Lance said. âIâll see that the information is passed along to the appropriate authority.â
âNow,â Mona said, âabout the other two. At first, the photos seemed to be ordinary British passport shots, the kind youâd get at a dozen photographersâ in the West End of London. I analyzed them right down to the dot level, or rather, the pixel level on the computer, and there were a number of similarities, so much so that I began to think that they might have been taken by the same photographer. What kept throwing me off was that the light was different in the two shotsâa slightly different color temperature and with the light coming from a different direction.â
âIs there some way to identify at which studio they were taken?â
âIâm sorry, Iâm not there, yet; Iâm just walking you through what I found.â
âOf course, go ahead.â
âIt turns out that where they were taken isnât really relevant, though I suspect London. They were taken with a Polaroid camera, the kind that takes four shots at once; very common in photo shops.â
âNot digital?â
âNo, thatâs what youâd expect if they were taken in a large U.S. city, where the conversion to digital photography may be a bit farther along than in England, but again, thatâs not the point. After I had taken that analysis as far as I could without identifying a specific shot, I started to do multiple comparisons of the faces.â
âAndâ¦?â
âWell, look at the two faces: you see,â she said, pointing, âthe man on the right, Weatherby, has had his nose broken at some point, and his jawline is a little firmer than the other man, Pemberton.â
âYes, I can see that.â
Mona hit a few computer keys. âNow, here Iâve enhanced and enlarged the Weatherby photo: look at his Vandyke.â
âRight, Iâm looking at it.â
âWhat do you see?â
Lance gazed at the enlargement. âA mustache and goatee.â
âBut look at what appear to be the roots of the hairs: they seem to have a tiny, thicker dot at the root of each one.â
âWhich means?â
âWhich means that itâs a false beard, though a very good one.â She moved to another enlargement. âSame at the hairline; itâs a wig.â
âSo Weatherby is disguising himself.â
âYes, but still not the point.â
âGet to the point, Mona.â
âNow look at an enlargement of the broken nose,â she said, moving to another photo. âWhat do you see?â
âCome on, Mona, tell me.â
âAll right.â She pointed at the place where the nose seemed broken. âNo pores in the skin,â she said.
âSo itâs a false broken nose?â
âJust a clever application of spirit gum, a common theatrical makeup substance.â
âAll right, so he has a fake broken nose, too.â
âRight.â She changed photos again. âNow hereâs the Pemberton nose, enlarged, alongside the Weatherby shot. Look at the other side of the nose.â
âIâm looking.â
âThe other side of both noses is very like that side of Weatherbyâs.â
âBut not the chin,â Lance said. âItâs softer, less firm.â
âIt certainly is, but hereâs what happens when I straighten Weatherbyâs nose and remove his Vandyke.â She switched to two photos where the hair was cropped out but the faces were enlarged. âWhat do you see now?â
âTheyâre beginning to look related,â Lance said. âBrothers?â
âNo, thereâs spirit gum on Weatherbyâs chin, as well as his nose. If we remove that we getâ¦â
Lance furrowed his brow. âPembertonâs chin?â
âExactly. Theyâre not brothers; theyâre the same man.â She clicked on two other photos, and images appeared that made the two men look the same.
âHas
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