Tangled Webs

small box that had been next to one of the lamps. When he opened it, he frowned thoughtfully at the contents.
    “Those are matches,” Kester said, rolling his eyes. “You scratch one on the rough side of the box to get a little fire to light the lamp or kindling.”
    “I know what matches are,” Rainier said, slipping the box into his coat pocket. Then he looked at Surreal. «Do we shield?»
    If they didn’t, they were vulnerable. If they did…
    «Just us or the children?» she asked. The landens wouldn’t have any control over the shield or be able to replenish the power in it, but she and Rainier could place one around each child to protect them from the first few attacks. Except…
    «If we shield everyone, that’s nine more uses of Craft. Counting the times we’ve already used Craft, that would eliminate more than half the possible exits from this place,» Rainier said, saying exactly what she had been thinking.
    «And most likely, the easier exits to find are the ones that will close first.» Like the front door. And the window there in the sitting room. “How many rooms?” she asked. “I wasn’t paying a lot of attention, but the house looked like it was a good size without being that big. A dozen rooms in all?”
    Rainier nodded. “Plus attic and cellar.”
    Was there another exit in that room?
    «If the intention is for us to face the traps, there won’t be more than one or two exits in the front rooms,» Rainier said. «And if this is based on a mystery story, we’ve already seen the clue and been shown a sample of the danger that will be triggered if we find an exit and try to use it.»
    Unfortunately, she agreed with him. No one would have gone to this much trouble to create this place and then risk the possibility of their finding an exit quickly.
    Surreal studied the room, looking for a potential exit or anything else that might be useful—and seeing nothing that would work to their advantage.
    She had dressed casually in trousers, shirt, and jacket, and was wearing the boots Lucivar had given her at Winsol. Too bad she hadn’t called in her stiletto and the palm knife before going through the gate. The boots were designed with sheaths for both knives. She would have felt more comfortable if she had a couple of honed blades within reach. Well, they were still within reach, since she could call them in, but she wouldn’t be the only one penalized if she used Craft, so she would have to wait until she needed a blade.
    «You know, we’d better get out of this place in one piece,» Rainier said.
    «For other than the obvious reason that I don’t want to get stuck living here if I end up demon-dead?» Surreal asked, still turning slowly as she studied the room.
    «Do you want to explain to Lucivar that you didn’t shield before walking into a strange house?»
    Ah, shit. Maybe getting stuck in the house wouldn’t be so bad after all.
    «Do we gamble and not create shields?» Rainier asked.
    «For now. Let’s gather up our flock of idiot sheep and herd them over to the room across the hall.»
    «They’re not idiot sheep; they’re children.»
    «That’s what I said.» Her study of the room finally brought her back to the portrait over the fireplace.
    Something wrong with the eyes. Then there was something wrong with the whole face as the illusion spell started. The portrait’s head shifted to look down at her. The mouth curved in a leer as the man said in a harsh whisper, “I know what you are.”
    Something inside her stilled. Something that had gotten bruised when Falonar’s interest had waned in response to her wanting to hone her fighting skills. No. Not her fighting skills. Her killing skills. There was a difference, even to an Eyrien warrior. She had never been a warrior, but she had been a damn good assassin.
    Now she felt as if she were drawing a blade from its sheath. Shining. Deadly. Her.
    “I know what you are,” the portrait said again.
    “No,” she told it. “You don’t.”

    Just his luck to get the least interesting member of the SaDiablo family. An uneducated whore. That’s all she was. No flair, no drama.
    Or were they using those psychic threads to say all the interesting things?
    No matter. He hadn’t arranged this to collect dialogue. This was to observe the Blood and how they would deal with the little surprises.
    And when his next book came out, no one would be able to say his character Landry Langston lacked authenticity.

    That’s not my spooky