That Old Cape Magic

to say no to the hamburgers. The look of disappointment on his friend’s face provided a kind of bitter satisfaction.
    It was true his parents had planned a fancy dinner out, but for just the two of them, and their surprise and annoyance when he told them what he’d done was pleasurable as well. “Why?” his mother said. “It’s your last night with Steven. For the last two weeks it’s been nothing but Steven this and Steven that.”
    “Peter,”
he’d corrected her—shouting at her, really, and not caring if this meant trouble. “His name is
Peter.”
    She studied him for a long beat. “Why are you acting like this?” she said, but her tone suggested that she knew perfectly well, as if she’d been wondering when this side of his personality would reveal itself. “You’re only hurting yourself,” she told him. “You know that, don’t you?”
    But of course that part was a bluff. He
wasn’t
hurting only himself. He was hurting her and his father, ruining their plans, and also disappointing Peter and the rest of the Brownings. That was the beauty of the thing, indeed its only beauty: the equitable sharing of unendurable loss and disappointment. There was another part of him, of course, that wanted to be talked out of this new, terrifyingstrategy, to subdue this vengeful, self-defeating emotion, and if his mother had tried harder to persuade him to, she might have succeeded. But she just gave him a wry smile and said, “If that’s the way you want to be.”
    “That’s the way I want to be,” he said, feeling something rip inside, because it wasn’t what he wanted, but rather what he
needed
. Later, he heard his father call the restaurant and cancel their reservation. They went instead to a family seafood place, where they ate at a weathered picnic table, their dinners served in paper boats.
    “I loath fried seafood,” his mother said, pushing her scallops away.
    “This wasn’t what I had in mind, either,” his father said bitterly.
    “We could’ve gone to the Blue Martini anyway,” his mother said.
    “Yeah, but what would be the point?”
    Two weeks earlier Griffin wouldn’t have understood the question, but now he did. Indeed, what was the point of anything? He’d never asked himself such a question before. After dinner, as darkness fell, they took a long drive with no particular destination in mind, as they sometimes did their last night on the Cape, breathing it all in, filling their lungs with the salt air, as if they could carry it back with them to breathe in the Mid-fucking-west. No one spoke. By the time they returned to the cottages it was pitch-dark except for the dancing sparklers in front of the Brownings’ cottage. Griffin paused when he climbed out of the car, waiting for Peter’s disembodied voice to call him over, so he once more could say no and derive that same perverse satisfaction, but no invitation came.
    Upstairs—in his tiny bedroom under the eaves—he undressed in the dark and crawled into bed. From his window he saw five distinct sparkler tracks writing their ghostly script, but how could that be, with only four Brownings? Was one of them waving two sparklers at once? In the last twenty-four hours several other cottages had become occupied. Had the Brownings already foundsomeone to replace him? Feeling his throat constrict at this cruel possibility, he pulled the shade down. But even with his eyes clamped tightly shut, he could still see the Brownings’ joyous sparklers etching their collective happiness on the night.
    It had been the stuff of good fiction, Griffin knew, but he’d somehow managed to mess it up in the telling, and when the writers’ strike ended sooner than expected he’d pretended disappointment when in truth he was relieved. The story was already too long, but he had no idea how to end it, to resolve the conflict he’d never managed to clearly articulate. He’d hoped to capture what it felt like to be impossibly happy and miserable at the same time, to be held in the grip of powerful new emotions you couldn’t understand. But when he read over what he’d written, it all felt wrong. He wanted readers to fall in love with the Brownings, as he had, but as written they felt like a TV sitcom family, especially Peter. In the story, the two friends had taken long walks on the beach, just as Griffin and Peter had done in real life, straying so far that their parents became tiny specks among the dunes before disappearing altogether,