The Casual Vacancy

pronounced holy … I do not want to be a saint, rather even a buffoon … perhaps I am a buffoon …
    Andrew liked it very much, and Fats liked how impressed he was.
    In the time it took him to pass the bookmaker’s – mere seconds – Fats’ thoughts lit on his father’s dead friend, Barry Fairbrother. Three long loping strides past the racehorses printed on posters behind the grubby glass, and Fats saw Barry’s joking, bearded face, and heard Cubby’s booming excuse of a laugh, which had often rung out almost before Barry had made one of his feeble jokes, in the mereexcitement of his presence. Fats did not wish to examine these memories any further; he did not interrogate himself on the reasons for his instinctive inner flinch; he did not ask himself whether the dead man had been authentic or inauthentic; he dismissed the idea of Barry Fairbrother, and his father’s ludicrous distress, and pressed on.
    Fats was curiously joyless these days, even though he made everybody else laugh as much as ever. His quest to rid himself of restrictive morality was an attempt to regain something he was sure had been stifled in him, something that he had lost as he had left childhood. What Fats wanted to recover was a kind of innocence, and the route he had chosen back to it was through all the things that were supposed to be bad for you, but which, paradoxically, seemed to Fats to be the one true way to authenticity; to a kind of purity. It was curious how often everything was back to front, the inverse of what they told you; Fats was starting to think that if you flipped every bit of received wisdom on its head you would have the truth. He wanted to journey through dark labyrinths and wrestle with the strangeness that lurked within; he wanted to crack open piety and expose hypocrisy; he wanted to break taboos and squeeze wisdom from their bloody hearts; he wanted to achieve a state of amoral grace, and be baptized backwards into ignorance and simplicity.
    And so he decided to break one of the few school rules he had not yet contravened, and walked away, into the Fields. It was not merely that the crude pulse of reality seemed nearer here than in any other place he knew; he also had a vague hope of stumbling across certain notorious people about whom he was curious, and, though he barely acknowledged it to himself, because it was one of the few yearnings for which he did not have words, he sought an open door, and a dawning recognition, and a welcome to a home he did not know he had.
    Moving past the putty-coloured houses on foot, rather than in his mother’s car, he noticed that many of them were free of graffiti and debris, and that some imitated (as he saw it) the gentility of Pagford, with net curtains and ornaments on the windowsills. These details were less readily apparent from a moving vehicle, where Fats’ eye was irresistibly drawn from boarded window to debris-strewn lawn. Theneater houses held no interest for Fats. What drew him on were the places where chaos or lawlessness was in evidence, even if only of the puerile spray-canned variety.
    Somewhere near here (he did not know exactly where) lived Dane Tully. Tully’s family was infamous. His two older brothers and his father spent a lot of time in prison. There was a rumour that the last time Dane had had a fight (with a nineteen-year-old, so the story went, from the Cantermill Estate), his father had escorted him to the rendezvous, and had stayed to fight Dane’s opponent’s older brothers. Tully had turned up at school with his face cut, his lip swollen and his eye blacked. Everyone agreed that he had put in one of his infrequent appearances simply to show off his injuries.
    Fats was quite sure that he would have played it differently. To care what anyone else thought of your smashed face was inauthentic. Fats would have liked to fight, and then to go about his normal life, and if anyone knew it would be because they had glimpsed him by chance.
    Fats had never been hit, despite offering increasing provocation. He thought, often these days, about how it would feel to get into a fight. He suspected that the state of authenticity he sought would include violence; or, at least, would not
preclude
violence. To be prepared to hit, and to take a hit, seemed to him to be a form of courage to which he ought to aspire. He had never needed his fists: his tongue had sufficed; but the emergent Fats was starting to despise his own articulacy and to admire authentic