The English Assassin

Gabriel placed the receiver on the table next to the phone and turned up the volume on a small, handheld radio. A few seconds later he could hear the recording on the answering machine, the voice of Werner Müller explaining that his gallery would reopen for business at ten o’clock the following morning. Please telephone for an appointment.
     
    INthe lexicon of the Office, the bug that had been planted in the Müller Gallery was known as a “glass.” Concealed within the electronics of the telephone, it provided coverage of Müller’s calls as well as conversations taking place inside the room. Because it drew its power from the telephone, it didn’t require a battery and therefore could remain in place indefinitely.
    The next morning, Müller received no prospective buyers and no telephone calls. He made two calls himself, one to Lyons to inquire about the availability of a painting and one to his landlord to complain about the plumbing in his apartment.
    At noon, he listened to news on the radio. He ate lunch in the same restaurant, at the same time, and returned to the gallery late in the afternoon. At five o’clock, a telephone call: female, Scandinavian-accented English, looking for sketches by Picasso. Müller politely explained that his collection contained no Picasso sketches—or works by Picasso of any kind—and he was kind enough to give her the names and addresses of two competitors where she might have more luck.
    At six o’clock, Gabriel decided to place a telephone call of his own. He dialed the gallery and in rapid, boisterous French asked Herr Müller whether he had any floral still lifes by Cézanne.
    Müller cleared his throat. “Unfortunately, monsieur, I don’t have any paintings by Cézanne.”
    “That’s strange. I was told by a reliable source that you had a number of works by Cézanne.”
    “Your reliable source was mistaken. Bonsoir, monsieur. ”
    The line went dead. Gabriel replaced the receiver and joined Oded in the window. A moment later, the art dealer stepped out into the gathering dusk and peered up and down the little street.
    “Did you see that, Oded?”
    “He’s definitely got a serious case of the nerves.”
    “Still think he’s just an art dealer who doesn’t sell many pictures?”
    “He looks dirty, but why set him on edge with a phone call like that?”
    Gabriel smiled and said nothing. Shamron called it slipping a stone into a man’s shoe. At first, it’s just an irritant, but before long it produces an open wound. Leave the stone there long enough, and the man has a shoe full of blood.
    Five minutes later, Werner Müller locked up his gallery for the night. Instead of leaving his garbage bag in its usual place, he dropped it next door, in front of the clothing boutique. As he started off toward Fouquet’s, he looked several times over his shoulder. He did not notice the whisper-thin frame of Mordecai, trailing after him on the opposite side of the street. Werner Müller had a festering wound, thought Gabriel. Soon, he would have a shoe full of blood.
    “Bring me his garbage, Oded.”
     
    MÜLLER’Sweekend was as predictable as his workweek. He owned a dog that barked incessantly. Oded, who was monitoring the bug from a van parked around the corner, suffered from a chronic headache. He asked Gabriel if he could borrow a Beretta to shoot the dog and be done with it. And when Müller took the dog for a walk along the river, Oded begged for authorization to toss the beast over the embankment.
    The monotony was broken Saturday evening by the arrival of a high-priced whore called Veronique. She slapped him. He cried and called her “Mama.” The barking of the dog reached a feverish pitch. After two hours Oded, who considered himself something of a man of the world, had to leave the surveillance van for a bit of fresh air and a drink at the brasserie on the opposite side of the street. “A fuck for the ages,” he told Gabriel afterward. “A clinic of depravity. It will be required listening for the boys in Psych Ops at King Saul Boulevard.”
    No one was more pleased than Oded when a gray and wet Monday dawned over Paris. Müller had one final quarrel with the dog before slamming the door of his apartment and heading into the street. Oded watched him through the blacked-out glass of the surveillance van, an expression of pure loathing on his face. Then he raised the radio to his lips to check in with Gabriel at the Hôtel Laurens. “Looks like