The German Genius

819
Mendelssohn, Felix, 133, 239, 298, 307, 308–309
Mendelssohn, Moses, 74–75, 78, 102–103, 136, 137
Mengele, Josef, 697
Mengs, Anton Raphael, 207–208, 215
Mengs, Ismael, 207
Menschen am Sonntag (film), 588, 590
Menzel, Adolf von, 526
Merck, Johann, Heinrich, 77
Merkur (magazine), 782
Merry Vineyard, The (Der fröhliche Weinberg) (Zuckmayer), 592
Merz, John Theodore, 170
Messiah, The (Der Messias) (Klopstock), 102
Metamorphosis (Die Erwandlung) (Kafka), 577, 578
Metropolis (film), 590
Metropolis and Mental Life, The (Die Großstadt und das Geistesleben) (Simmel), 448–449
Metternich, Klemens von, 304
Meyer, Carl, 568
Meyer, Eduard, 533
Meyer, Karl, 374
Meyer, Rudolf, 296
Michaelis, Johann D., 71, 72–73, 200, 227
Michael Kohlhaas (Kleist), 293
Michelet, Jules, 92, 395
Micrographia (Hooke), 281
microscope, 283–284, 365–367, 386, 387, 390
Middendorf, Helmut, 812–813
middle class
Biedermeier culture and, 306
educated, 403, 837
cultural pessimism and, 840
versus the rest, 828–830
political exclusion, 403
use of Darwinism as ideological weapon, 426–428
Midsummer Night’s Dream, A (film), 736
Mies van der Rohe, Ludwig, 215, 510, 571, 758
military
aerial warfare, 545
chemical warfare, 544–545
deference to in Berlin, 521
influence of Napoleon on, 186, 417
institutionalising of, 543–544
military and naval personnel of the powers, 420
Pietist influence on, 48
Prussian, 417–418
religion and, 683
warship tonnage, 420
during World War I, 902n44
during World War II, 698
Military Society, 185
Miller, Martin, 746
Milliband, Ralph, 746
Mind (journal), 755
Minima Moralia (Adorno), 726
mining, 117, 167–168
Mirat, Crescence-Eugénie (Mathilde), 300–301
Mises, Ludwig von, 727
Mitscherlich, Alexander and Margarete, 24, 785, 789–790
Mitscherlich, Eilhardt, 234, 275
Mitterrand, François, 15, 17
Möbius, August Ferdinand, 174
Modern Capitalism (Der moderne Kapitalismus) (Sombart), 452, 453
modernism
antimodernism of Lagarde, 435
as Jewish modernism in Vienna, 501
reactionary modernism, 454
modernity
anti-modernity in German universities in the 1920s, 767
hatred of, 432–437
Philosophy of Money as first sociological analysis of, 448
skepticism about, 848
Weber, Max, on, 825–826
Modern Man in Search of a Soul (Jung), 612
Moeller van den Bruck, Arthur, 616–618, 771, 840, 859n45
Moholy-Nagy, László, 571, 701, 741
Moleschott, Jacob, 427
Moltke, Gebhardt von, 2
Moltke, Helmuth von, the elder, 188, 418, 519
Mommsen, Hans, 404, 445
Mommsen, Theodor, 231, 404–405, 408, 433
Mommsen, Wolfgang, 404, 762
Monge, Gaspard, 353
Monte Carlo (film), 589
Monthly Register, 314
Monumenti antichi inediti (Unpublished Relics of Antiquity) (Winckelmann), 97
Moore, Marianne, 296
morality, 68, 142, 442
Morell, Theo, 672
Morgenstern, Oskar, 727, 918n89
Morgue (Benn), 710
Mörike, Eduard, 305
Morocco (film), 593
Morris, Charles, 729
Morris, William, 571
Moser, Claus, 745, 746, 752
Moses, A. Dirk, 23–24, 36, 785, 843
Mosse, George L., 614, 615
Mötke, Eduard, 463
Moynahan, Bryan, 686
Mozart, Wolfgang Amadeus, 59, 155, 157–158
Mühlfeld, Richard, 462
Mühsam, Erich, 504
Müller, Heiner, 803
Müller, Jan-Werner, 779, 832, 842
Müller, Johannes, 234, 283, 383
Müller, Max, 318
Müller, Wilhelm, 305
Müller’s Archiv (journal), 284
Munch, Edvard, 527, 812
Münchhausen, Gerlach Adolf von, 50–51
Mundt, Theodor, 303
Munich, 503–518
art and artists
Art Academy, 515
Artists Association, 504–505
Bavarian Academy of Fine Arts, 770
House of German Art (Haus der deutschen Kunst), 632
Neue Künstlervereiningung München (New Artists’ Association) (NKVM), 516, 517
Royal Academy of Fine Arts, 504
German industrial exhibition of 1854, 504
Ludwigskirche, 219
Municipal Archaeological Institute, 632
museums
Glyptothek, 219
Neue Pinakothek, 504
Olympic Games Complex, 814
reconstruction after World War II, 757
Schwabing, 504
Munich Putsch of 1923, 614
Munich Sezession, 503–504, 505, 509
Münter, Gabriele, 516, 517
Murders Are Among Us, The (film), 805
Murnau, F. W., 587
Murrow, Edward R., 664
Museum of Modern Art (New York), 733, 760
music, 58–59, 153–165, 459–473. See also opera
after World War II, 809–810
atonality, 471, 584
baroque, 43
composers inspired by Schiller, 133
conductor as dominant force, 160, 308
contemporary, 844
development of full orchestral scores, 155
German influence in the United States, 325
innovation in, 59
inwardness and, 831
Italian Renaissance and, 93–94
Jewish musicians, 641
Mannheim school of