The Glass Books of the Dream Eaters

faces.
    “Whoever you are—whatever you are doing—you will die!”
    Miss Temple dragged Elöise by the hand through the curtain and to the nearby door. It did not matter where it went, they had to get out of the passage at once. Even wearing a half-mask the fury on the Contessa’s face had been that of a Gorgon, and as her hand tore at the doorknob Miss Temple felt her entire body trembling with fear. They barreled through the door and slammed it behind—and then both squealed with alarm at the brooding figure that loomed suddenly over them. It was only the back side of the door, covered by a striking, somber portrait in oils of a man in black with searching eyes and a cold thin mouth—Lord Vandaariff, for behind the figure rose the specter of Harschmort House. And yet, even as she continued to run, her heart in her mouth, Miss Temple recognized the painting as the work of Oskar Veilandt. But—was he not dead? And Vandaariff only in residence at Harschmort for two years? She groaned at the annoyance of not being able to pause and think!
    As one she and Elöise cut through a strange ante-room of paintings and sculpture, its floor inlaid with mosaic. They could already hear approaching footsteps and dashed heedlessly in the other direction, careening around one corner and then another, until they reached a foyer whose flooring was slick black and white marble. Miss Temple heard a cry. They had been seen. Elöise ran to the left, but Miss Temple caught her arm and pulled her to the right, to a formidable dark metal door she thought they might close behind them to seal themselves off from pursuit. They rushed through, bare feet pattering across the marble and onto a landing of cold iron. Miss Temple thrust the coat at Elöise and shoved the woman toward a descending spiral staircase of welded steel while she tried to close the door. It did not move. She heaved again without success. She dropped to her knees, pried out the wooden wedge that had held it and then thrust the heavy door shut just as she heard footsteps echoing off the marble. The latch caught and she quickly dropped to her knees again and with both hands drove the wedge back under the door. She leapt after Mrs. Dujong, her pale feet soft and moist against the metal steps.
    Being a spiral staircase, as the steps reached the iron column in the center they became quite narrow, and so because she was smaller Miss Temple felt it only fair she take the inside going down, half a step behind Elöise but holding on to her arm—as Elöise with her other hand held on to the rail. The metal staircase was very cold, especially so on their feet. Miss Temple felt as if she were scampering around the scaffolds and catwalks of an abandoned factory in her nightdress—which was to say it felt very like one of those strange dreams that always seemed to end up in unsettling situations involving people she but barely knew. Racing down the stairs, still genuinely amazed at this dark metal tower’s very existence—
under
the
ground
—Miss Temple wondered what new peril she had launched them into, for the pitiless tower struck her as the most unlikely wrinkle yet.
    Was there someone behind—a noise? She pulled Elöise to a stop, patting her arm to indicate urgency and silence, and looked back up the stairs. What they heard was not footsteps from within the tower, but what seemed very much like footsteps—and scuffles and snippets of talk—
outside
of it. For the first time Miss Temple looked at the tower walls—also welded steel—and saw the queer little sliding slats, like the ones sometimes seen between a coach and driver. Elöise slid the nearest open. Instead of an open window, it revealed an inset rectangle of smoked glass through which they could see…and what they saw quite took their breath away.
    They looked out and down from the top of an enormous open chamber, like an infernal beehive, walls ringed with tier upon tier of walled prison cells, into which they could gaze unimpeded.
    “Smoked glass!” she whispered to Elöise. “The prisoners cannot see when they are spied upon!”
    “And look,” her companion answered, “are these the new prisoners?”
    Before their eyes, the upper tier of cells were filling up like theatre boxes with the elegantly dressed and masked guests of the Harschmort gala, climbing down through hatches in the cell roofs, setting out folding chairs, opening bottles, waving handkerchiefs to one another across the open expanse