The Glass Books of the Dream Eaters

below would surely alert whoever was there that something was wrong. Or perhaps not—perhaps it would run them through! She snorted at her own unquenchable optimism. She had no more clever ideas. They came round the final turn of the spiral and faced a landing as cluttered with boxes as a holiday foyer. To the right, leading out to the base of the great chamber, was an open door. To the left, another man with a brass helmet and leather apron crouched near an open hatchway, perhaps the size of a large coal furnace, set directly into the steel column that rose through the center of the staircase. The man carefully examined a wooden tray of bottles and lead-capped flasks that he had obviously pulled from the hatch and set down on the floor. Next to the hatch, affixed into the column, was a brass plate of buttons and knobs. The column was a dumbwaiter.
    In the middle of the floor, its blade imbedded—presumably in silence, given the man’s inattention—in a discarded heap of packing straw, was the saber.
    From the doorway marched a second helmeted man, walking directly past the pile of straw, to gather two wax-capped bottles, one bright blue, the other vibrant orange, and rush back through the door without another word. The women stood still, unconvinced they had yet to be seen—could the helmets so impede the men’s peripheral vision and muffle their hearing? Through the open door Miss Temple heard urgent commands, the sounds of work, and—she was quite certain—the voices of more than one woman.
    From above them came the deliberate pinging of a kicked bouncing bullet, striking the steps and the wall in turn. The men above had resumed their descent. The bullet flew past them and bounced off of the stack of crates on the far wall, coming to rest on the floor near the man’s feet. He cocked his head and registered its unlikely presence. They were ruined.
    Outside the door a man’s voice erupted into speech at such a volume that Miss Temple was bodily startled. She had never before heard such a human noise, not even from the roaring sailors when she’d crossed the sea, but this voice was not loud because of any extremity of effort—its normal tone was mysteriously, astonishingly, and disturbingly exaggerated. The voice belonged to the Comte d’Orkancz.
    “Welcome to you
all,
” the Comte intoned.
    The man in the helmet looked up. He saw Miss Temple. Miss Temple leapt down the final steps, dodging past.
    “It is time to begin,” cried the Comte, “as you have been instructed!” From the cells above them—incongruously, fully the last thing Miss Temple would have ever expected—the gathered crowd began to sing.
    She could not help it, but looked through the open door.

    The tableau, for it was framed as such by the door in front and the silver curtain of bright shining pipes behind, was the operating theatre writ large, the demonic interests of the Comte d’Orkancz given full free rein—
three
examination tables. At the foot of each rose a gearbox of brass and wood, into which, as if one might slide a bullet into the chamber of a gun, one of the helmeted men inserted a gleaming blue glass book. The man with the two bottles stood at the head of the first table, pouring the blue liquid into the funneled valve of a black rubber hose. Black hoses coiled around the table like a colony of snakes, slick and loathsome, yet more loathsome still was the shape that lurked beneath, like a pallid larva in an unnatural cocoon. Miss Temple looked past to the second table and saw Miss Poole’s face disappear as an attendant strapped a ghoulish black rubber mask in place…and then to the final table, where a third man attached hoses to the naked flesh of Mrs. Marchmoor. Looking up at the cells was a final figure, mighty and tall, the mouth of his great mask dangling a thick, slick black tube, like some demonic tongue—the Comte himself. Perhaps one second had passed. Miss Temple reached out and slammed the door between them.
    And just as suddenly she knew, this echoing vision provoking her memory of the final instant of Arthur Trapping’s blue glass card…the woman on its table had been Lydia Vandaariff.

    Behind her Elöise screamed. The helmeted man’s arms took crushing hold around Miss Temple’s shoulders and slammed her into the newly shut door, then threw her to the ground.
    She looked up to see the man holding the saber. Elöise seized one of the bottles of orange liquid from the tray and hefted her arm