The Hunger Games

them, but what am I supposed to do now? Obviously, I can’t go strolling into that mess without blowing myself sky-high. As for sending in a burning arrow, that’s more laughable than ever. The mines are set off by pressure. It doesn’t have to be a lot, either. One year, a girl dropped her token, a small wooden ball, while she was at her plate, and they literally had to scrape bits of her off the ground.
    My arm’s pretty good, I might be able to chuck some rocks in there and set off what? Maybe one mine? That could start a chain reaction. Or could it? Would the boy from District 3 have placed the mines in such a way that a single mine would not disturb the others? Thereby protecting the supplies but ensuring the death of the invader. Even if I only blew up one mine, I’d draw the Careers back down on me for sure. And anyway, what am I thinking? There’s that net, clearly strung to deflect any such attack. Besides, what I’d really need is to throw about thirty rocks in there at once, setting off a big chain reaction, demolishing the whole lot.
    I glance back up at the woods. The smoke from Rue’s second fire is wafting toward the sky. By now, the Careers have probably begun to suspect some sort of trick. Time is running out.
    There is a solution to this, I know there is, if I can only focus hard enough. I stare at the pyramid, the bins, the crates, too heavy to topple over with an arrow. Maybe one contains cooking oil, and the burning arrow idea is reviving when I realize I could end up losing all twelve of my arrows and not get a direct hit on an oil bin, since I’d just be guessing. I’m genuinely thinking of trying to re-create Foxface’s trip up to the pyramid in hopes of finding a new means of destruction when my eyes light on the burlap bag of apples. I could sever the rope in one shot, didn’t I do as much in the Training Center? It’s a big bag, but it still might only be good for one explosion. If only I could free the apples themselves . . .
    I know what to do. I move into range and give myself three arrows to get the job done. I place my feet carefully, block out the rest of the world as I take meticulous aim. The first arrow tears through the side of the bag near the top, leaving a split in the burlap. The second widens it to a gaping hole. I can see the first apple teetering when I let the third arrow go, catching the torn flap of burlap and ripping it from the bag.
    For a moment, everything seems frozen in time. Then the apples spill to the ground and I’m blown backward into the air.

The impact with the hard-packed earth of the plain knocks the wind out of me. My backpack does little to soften the blow. Fortunately my quiver has caught in the crook of my elbow, sparing both itself and my shoulder, and my bow is locked in my grasp. The ground still shakes with explosions. I can’t hear them. I can’t hear anything at the moment. But the apples must have set off enough mines, causing debris to activate the others. I manage to shield my face with my arms as shattered bits of matter, some of it burning, rain down around me. An acrid smoke fills the air, which is not the best remedy for someone trying to regain the ability to breathe.
    After about a minute, the ground stops vibrating. I roll on my side and allow myself a moment of satisfaction at the sight of the smoldering wreckage that was recently the pyramid. The Careers aren’t likely to salvage anything out of that.
    I’d better get out of here, I think. They’ll be making a beeline for the place. But once I’m on my feet, I realize escape may not be so simple. I’m dizzy. Not the slightly wobbly kind, but the kind that sends the trees swooping around you and causes the earth to move in waves under your feet. I take a few steps and somehow wind up on my hands and knees. I wait a few minutes to let it pass, but it doesn’t.
    Panic begins to set in. I can’t stay here. Flight is essential. But I can neither walk nor hear. I place a hand to my left ear, the one that was turned toward the blast, and it comes away bloody. Have I gone deaf from the explosion? The idea frightens me. I rely as much on my ears as my eyes as a hunter, maybe more at times. But I can’t let my fear show. Absolutely, positively, I am live on every screen in Panem.
    No blood trails, I tell myself, and manage to pull my hood up over my head, tie the cord under my chin with uncooperative fingers. That should help soak up the blood. I can’t walk, but can I