The Kill Room
dressed better than he did, though not flashy. Simon, in his thirties, looked appropriately dangerous, as one would expect, and want, in this profession but he wasn’t a thug. He’d been an officer in the army, before going civilian as a security expert.
He was also very good at his job. Simon’s head swiveled; he’d become aware of his boss’s gaze and immediately stepped to the window, looking out.
“Just a flash of light,” Moreno explained.
The bodyguard suggested drawing the shades.
“I think not.”
Moreno had decided that Eduardo de la Rua, who’d flown here coach class at his own expense from the city of good air, deserved to enjoy the beautiful view. He wouldn’t get to experience much luxury, as a hardworking journalist known for reporting the truth, rather than producing puff pieces for corporate officials and politicians. Moreno also decided to take the man to a very nice meal at the South Cove Inn’s fine restaurant for lunch.
Simon gazed outside once more, returned to his chair and picked up a magazine.
De la Rua clicked on the tape recorder. “Now, may I?”
“Please.” Moreno turned his full attention to the journalist.
“Mr. Moreno, your Local Empowerment Movement has just opened an office in Argentina, the first in the country. Could you tell me how you conceived the idea? And what your group does?”
Moreno had given this lecture dozens of times. It varied, based on the particular journalist or audience, but the core was simple: to encourage indigenous people to reject U.S. government and corporate influence by becoming self-sufficient, notably through microlending, microagriculture and microbusiness.
He now told the reporter, “We resist American corporate development. And the government’s aid and social programs, whose purpose, after all, is simply to addict us to their values. We are not viewed as human beings; we are viewed as a source of cheap labor and a market for American goods. Do you see the vicious cycle? Our people are exploited in American-owned factories and then seduced into buying products from those same companies.”
The journalist said, “I’ve written much about business investment in Argentina and other South American countries. And I know about your movement, which also makes such investments. One could argue you rail against capitalism yet you embrace it.”
Moreno brushed his longish hair, black and prematurely gray. “No, I rail against the misuse of capitalism—the American misuse of capitalism in particular. I am using business as a weapon. Only fools rely on ideology exclusively for change. Ideas are the rudder. Money is the propeller.”
The reporter smiled. “I will use that as my lead. Now, some people say, I’ve read some people say you are a revolutionary.”
“Ha, I’m a loudmouth, that’s all I am!” The smile faded. “But mark my words, while the world is focusing on the Middle East, everyone has missed the birth of a far more powerful force: Latin America. That’s what I represent. The new order. We can’t be ignored any longer.”
Roberto Moreno rose and stepped to the window.
Crowning the garden was a poisonwood tree, about forty feet tall. He stayed in this suite often and he liked the tree very much. Indeed, he felt a camaraderie with it. Poisonwoods are formidable, resourceful and starkly beautiful. They are also, as the name suggests, toxic. The pollen or smoke from burning the wood and leaves could slip into the lungs, searing with agony. And yet the tree nourishes the beautiful Bahamian swallowtail butterfly, and white-crowned pigeons live off the fruit.
I am like this tree, Moreno thought. A good image for the article perhaps. I’ll mention this too—
The glint again.
In a tiny splinter of a second: A flicker of movement disturbed the tree’s sparse leaves, and the tall window in front of him exploded. Glass turned to a million crystals of blowing snow, fire blossomed in his chest.
Moreno found himself lying on the couch, which had been five feet behind him.
But…but what happened here? What is this? I’m fainting, I’m fainting.
I can’t breathe.
He stared at the tree, now clearer, so much clearer, without the window glass filtering the view. The branches waved in the sweet wind off the water. Leaves swelling, receding. It was breathing for him. Because he couldn’t, not with his chest on fire. Not with the pain.
Shouts, cries for help around him.
Blood, blood everywhere.
Sun setting,
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