The Luminaries
clattered by, nor the infrequent riders making for the gorge—every man hatless and in shirtsleeves, enjoying the pale summer sun that seemed, for its rarity, to shine with a providential, good-hearted light. The mood along the Kaniere-road was merry; through the trees there came, occasionally, a snatch of a hymn, sung unaccompanied and in unison, from one of the makeshift chapels at the inland camps. Ah Sook paid no attention. His reunion that morning with Lydia Greenway—now Lydia Wells—had deeply unsettled him, and as a kind of conciliation to his unrest he was replaying his own history in his mind—narrating the very same tale, in fact, that he had related to Ah Quee three weeks ago.
When Francis Carver had first made his introduction to theSook family he had been but one-and-twenty, and Ah Sook, as a boy of twelve, had very naturally looked up to him. Carver was a terse and brooding young man, born in Hong Kong to a British merchant trader, and raised at sea. He was fluent in Cantonese, though he cherished no love for China, and meant to leave that place as soon as he acquired a ship of his own—an ambition he referenced very frequently. He worked for the Kwangchow branch of the merchant firm Dent & Co., of which his father was a high-ranking official, and he was responsible for overseeing the transfer of Chinese wares to and from the export warehouses along the Pearl River. One of these warehouses was owned by Sook Yongsheng’s father, Sook Chun-Yuen.
Sook Yongsheng understood very little about the financial operations of his father’s business. He knew that the Sook warehouse served as a liaison point for buyers, the majority of which were British merchant firms. He knew that Dent & Co. was by far the most illustrious and well connected of these firms, and that his father was very proud of this association. He knew that his father’s clients all paid for their wares in silver ore, and that this was a further point of pride for Sook Chun-Yuen; he knew also that his father hated opium, and that he held the imperial commissioner, Lin Tse-Hsu, in very high esteem. Ah Sook did not know the significance of any of these particulars; but he was a loyal son, and he accepted his father’s beliefs without comment, trusting them to be both virtuous and wise.
In February 1839, the Sook warehouse was targeted for an imperial investigation—a fairly routine procedure, but a dangerous one, for under Commissioner Lin’s decree, any Chinese merchants harbouring opium faced the penalty of death. Sook Chun-Yuen welcomed the imperial forces into his warehouse cordially—where they discovered, hidden amongst the tea, some thirty or forty crates of opium resin, each weighing roughly fifty pounds. Sook Chun-Yuen’s protestations came to nothing. He was executed without trial, and at once.
Ah Sook did not know what to believe. His natural trust in his father’s honesty prompted him to believe that the man had beenframed, and his natural trust in his father’s acumen made him doubt that the man
could
have been framed. He was in two minds—but he had no time to contemplate the matter, for within a week of the execution, war broke out in Kwangchow. Fearing for his own safety, and for the safety of his mother, who had been driven near to madness with grief, Ah Sook turned to the only man he knew to trust: the young delegate from Dent & Co., Francis Carver.
It transpired that Mr. Carver was more than happy to take on the Sook family business as a holding, and to accept all burdens of organisation and management upon himself—at least, he said, until Ah Sook’s grief had run its course, and the civil wars had quieted , or resolved themselves. In a show of kindness to the boy, Carver suggested that he might like to continue working in the export trade, in order to honour the memory of his late father, disgraced though that memory now was. If Ah Sook wished it, Carver could find work for him packing merchandise—a decent, honourable job, if menial, which would see him through the war. This proposition gratified Ah Sook extremely. Within hours of this conversation he had become Francis Carver’s employee.
For the next fifteen years Ah Sook packed chaff around specimens of porcelain and china, wrapped bolts of printed silk in paper, stacked caddies of tea into boxes, loaded and unloaded packages, hammered the lids of shipping crates, pasted labels onto cartons, and itemised those finely wrought and purposeless objects
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