The Moviegoer
Joyce. âBut why donât you come over Saturday night. Some of the kids will be there. Praps we could all go to Pat OâBrienâs.â Joyce makes herself out to be a big girl child, one of the kids, and all set for high jinks.
âNo praps about it.â
A watery sunlight breaks through the smoke of the Chef and turns the sky yellow. Elysian Fields glistens like a vat of sulfur; the playground looks as if it alone had survived the end of the world. At last I spy Kate; her stiff little Plymouth comes nosing into my bus stop. There she sits like a bomber pilot, resting on her wheel and looking sideways at the children and not seeing, and she could be I myself, sooty eyed and nowhere.
Is it possible thatâFor a long time I have secretly hoped for the end of the world and believed with Kate and my aunt and Sam Yerger and many other people that only after the end could the few who survive creep out of their holes and discover themselves to be themselves and live as merrily as children among the viny ruins. Is it possible thatâit is not too late?
Iii-oorrr goes the ocean wave, its struts twinkling in the golden light, its skirt swaying to and fro like a young dancing girl.
âIâd like to very much, Joyce. May I bring along my own fiancée, Kate Cutrer? I want you and Sharon to meet her.â
âWhy shore, why shore,â says Joyce in a peculiar Midwest take-off of her roommate Sharon and sounding somewhat relieved, to tell the truth.
The playground is deserted. I notice that the school itself is locked and empty. Traffic goes hissing along Elysian Fields and the jaybirds jeer in the camphor trees. People turn in now and then at the school gate but they make for the church next door. At first I suppose it is a wedding or a funeral, but they leave by twos and threes and more arrive. Then, as a pair of youths come ambling along the sidewalk, I catch sight of the smudge at the hair roots. Of course. It is Ash Wednesday. Sharon has not quit me. All Cutrer branch offices close on Ash Wednesday.
We sit in Kateâs car, a 1951 Plymouth which, with all her ups and downs, Kate has ever cared for faithfully. It is a tall gray coupe and it runs with a light gaseous sound. When she drives, head ducked down, hands placed symmetrically on the wheel, the pale underflesh of her arms trembling slightly, her paraphernaliaâstraw seat, Kleenex dispenser, magnetic tray for cigarettesâall set in order about her, it is easy to believe that the light stiff little car has become gradually transformed by its owner until it is hers herself in its every nut and bolt. When it comes fresh from the service station, its narrow tires still black and wet, the very grease itself seems not the usual muck but the thrifty amber sap of the slender axle tree.
âWhy didnât you tell her about our plans?â Kate still holds the steering wheel and surveys the street. âI was in the library and heard every word. You idiot.â
Kate is pleased. She is certain that I have carried off a grand stoic gesture, like a magazine hero.
âDid you tell her?â I ask.
âI told her we are to be married.â
âAre we?â
âYes.â
âWhat did she say to that?â
âShe didnât. She only hoped that you might come to see her this afternoon.â
âI have to anyway.â
âWhy?â
âI promised her one week ago I would tell her what I planned to do.â
âWhat do you plan to do?â
I shrug. There is only one thing I can do: listen to people, see how they stick themselves into the world, hand them along a ways in their dark journey and be handed along, and for good and selfish reasons. It only remains to decide whether this vocation is best pursued in a service station orâ
âAre you going to medical school?â
âIf she wants me to.â
âDoes that mean you canât marry me now?â
âNo. You have plenty of money.â
âThen let us understand each other.â
âAll right.â
âI donât know whether I can succeed.â
âI know you donât.â
âIt seems the wildest sort of thing to do.â
âYes.â
âWe had better make it fast.â
âAll right.â
âI am so afraid.â
Kateâs forefinger begins to explore the adjacent thumb, testing the individual spikes of the feathered flesh. A florid new Mercury pulls up behind us
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