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The Museum of Abandoned Secrets

The Museum of Abandoned Secrets

Titel: The Museum of Abandoned Secrets Kostenlos Bücher Online Lesen
Autoren: Oksana Zabuzhko
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blondes. Vlada also always said that her mom had been a beauty, and I always kept politely quiet: I think the real beauties remain beautiful in old age, and I wouldn’t say that about N.U.
    “The fact that Matusevych never fulfilled his potential as an artist,” Baldy continues to gloat, “was all Ninél’s fault, much more so than the Soviets! She couldn’t get him the Government Award, that’s true, although she packed him off to the Central Committee more than once—to confess the mistakes of his youth, and he still didn’t make it to the special-rations ranks,
he-he
...I’ll finish the cognac, with your permission. No use leaving tears at the bottom—Your health!
    “About me, she wrote a denunciation in ’73—to the Union’s political committee and the Art publishing house, whence I was promptly expelled, after that report of hers—for ideological immaturity. And that was the beginning of all my trials and tribulations. Despite the fact that I was a young specialist and they had no right to expel me.” (He is talking as if this all happened just yesterday, the resentment raw in his voice.) “Right before that I published in...” (
Bla-bla-bla
—he names a periodical from back then,
Socialist Painting
or
Swine Tending
, I forget instantly) “my article...” (he rolls out a pretentious multiclause title that whizzes straight over my head and might as well have been in a foreign language) “they called it the generation’s manifesto, the debate in the Union was oh-so-stormy—the last, you could say, stir of freedom.”
    “You mentioned a denunciation.”
    “And the denunciation,
he-he...
” (he’s all but rubbing his hands together, so pleased is he to be opening my eyes to the bottomless pit of human depravity) “the denunciation was that beauty’s way of getting back at me for criticizing her husband, among other things. In that article of mine I wrote that he was more successful in his nonfigurative works than he was with the builders of the Chernobyl Nuclear Plant, and that was absolutely true. Except that he’d already been raked over the coals for hisnonfiguratives, and it was time for him to distinguish himself. It was a critical year, you know: there’d been one wave of arrests already, Zalyvaha got time, Gorska was killed, a whole bunch of people got expelled from the Union, blacklisted—and Ninél, you know, she was used to comfort, to status; she wouldn’t have taken kindly to being the wife of a persecuted, starving abstractionist. So she packed him off to paint ‘men of labor’ at the Chernobyl Nuclear Plant Project.... ”
    “Good Lord, why to Chernobyl?”
    “Eh, you, young bucks!” Baldy is all but melting, blissfully, like a living block of butter. He is in his element—the guide to the past, where we are foreign tourists, mouths agape. “They just started building it, right then! All the papers blared about it; poets were falling over each other to sing the peaceful atom on the Pripyat’s shores. It was a win-win subject: it’s not the great leaders you’d be painting again, you know, but men of labor—just like Courbet did—and at the same time you’d be manifesting the correct understanding of the government’s and the party’s policies. Back then, you must remember, few knew—it only came to light after the accident—how dangerous a project it was, that nuclear plant. And that the Ukrainian Academy of Sciences, no matter how deep in Moscow’s pocket it may have been, did not, in the end, give its approval to build the plant in such a densely populated area—only in Moscow, they didn’t give a shit, pardon my language, about some stupid Ukrainian hohlys’ permission.
    “It was so ordered—and off went the campaign, and everyone ran to get in line for a creative road assignment. And Matusevych Senior, too. He slapped together a whole series, painted in the realistic manner, of course; it was his first official show. He did have a few interesting uses of color here and there; color was his strength, and you can’t escape yourself at the drop of a hat, just like that—but overall it was a sloppy job, such blatant socialist realism. If they’d given him the award then, it would have been a giant leap for him...” (he spreads his arms, to make his point more visual) “clear to being crowned on the other side of thechessboard, straight into the establishment!” (The establishment seems to drop onto my untouched plate next to the veal filet

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