The Ocean at the End of the Lane: A Novel

lid. “You’ve gone and got it stuck tight,” she said. She walked over to the rock path, turned the jam jar upside down, holding it at the bottom, and banged it, lid-side-down, once, confidently, against the ground. Then she turned it the right side up, and twisted. This time the lid came off in her hand.
    She passed the jam jar to Ursula Monkton, who reached inside it, and pulled out the translucent thing that had once been a hole in my foot. It writhed and wiggled and flexed seemingly in delight at her touch.
    She threw it down. It fell onto the grass, and it grew. Only it didn’t grow. It changed: as if it was closer to me than I had thought. I could see through it, from one end to the other. I could have run down it, if the far end of that tunnel had not ended in a bitter orange sky.
    As I stared at it, my chest twinged again: an ice-cold feeling, as if I had just eaten so much ice cream that I had chilled my insides.
    Ursula Monkton walked toward the tunnel mouth. (How could the tiny wormhole be a tunnel? I could not understand it. It was still a glistening translucent silver-black wormhole, on the grass, no more than a foot or so long. It was as if I had zoomed in on something small, I suppose. But it was also a tunnel, and you could have taken a house through it.)
    Then she stopped, and she wailed.
    She said, “The way back.” Only that. “Incomplete,” she said. “It’s broken. The last of the gate isn’t there…” And she looked around her, troubled and puzzled. She focused on me—not my face, but my chest. And she smiled.
    Then she shook. One moment she was an adult woman, naked and muddy, the next, as if she was a flesh-colored umbrella, she unfurled.
    And as she unfurled, she reached out, and she grabbed me, pulled me up and high off the ground, and I reached out in fear and held her in my turn.
    I was holding flesh. I was fifteen feet or more above the ground, as high as a tree.
    I was not holding flesh.
    I was holding old fabric, a perished, rotting canvas, and, beneath it, I could feel wood. Not good, solid wood, but the kind of old decayed wood I’d find where trees had crumbled, the kind that always felt wet, that I could pull apart with my fingers, soft wood with tiny beetles in it and woodlice, all filled with threadlike fungus.
    It creaked and swayed as it held me.
    YOU HAVE BLOCKED THE WAYS, it said to Lettie Hempstock.
    “I never blocked nothing,” Lettie said. “You’ve got my friend. Put him down.” She was a long way beneath me, and I was scared of heights and I was scared of the creature that was holding me.
    THE PATH IS INCOMPLETE. THE WAYS ARE BLOCKED.
    “Put him down. Now. Safely.”
    HE COMPLETES THE PATH. THE PATH IS INSIDE HIM.
    I was certain that I would die, then.
    I did not want to die. My parents had told me that I would not really die, not the real me: that nobody really died, when they died; that my kitten and the opal miner had just taken new bodies and would be back again, soon enough. I did not know if this was true or not. I knew only that I was used to being me, and I liked my books and my grandparents and Lettie Hempstock, and that death would take all these things from me.
    I WILL OPEN HIM. THE WAY IS BROKEN. IT REMAINS INSIDE HIM.
    I would have kicked, but there was nothing to kick against. I pulled with my fingers at the limb holding me, but my fingernails dug into rotting cloth and soft wood, and beneath it, something as hard as bone; and the creature held me close.
    “Let me go!” I shouted. “Let! Me! Go!”
    NO.
    “Mummy!” I shouted. “Daddy!” Then, “Lettie, make her put me down.”
    My parents were not there. Lettie was. She said, “Skarthach. Put him down. I gave you a choice, before. Sending you home will be harder, with the end of your tunnel inside him. But we can do it—and Gran can do it if Mum and me can’t. So put him down.”
    IT IS INSIDE HIM. IT IS NOT A TUNNEL. NOT ANY LONGER. IT DOES NOT END. I FASTENED THE PATH INSIDE HIM TOO WELL WHEN I MADE IT AND THE LAST OF IT IS STILL INSIDE HIM. NO MATTER. ALL I NEED TO DO TO GET AWAY FROM HERE IS TO REACH INTO HIS CHEST AND PULL OUT HIS BEATING HEART AND FINISH THE PATH AND OPEN THE DOOR.
    It was talking without words, the faceless flapping thing, talking directly inside my head, and yet there was something in its words that reminded me of Ursula Monkton’s pretty, musical voice. I knew it meant what it said.
    “All of your chances are used up,” said Lettie, as if she were