The Satanic Verses
other wives and disciples were waiting with heavy hearts, and they began mightily to lament:
But Ayesha wiped her eyes, and said: ‘If there be any here who worshipped the Messenger, let them grieve, for Mahound is dead; but if there be any here who worship God, then let them rejoice, for He is surely alive.’
It was the end of the dream.
1
I t all boiled down to love, reflected Saladin Chamcha in his den: love, the refractory bird of Meilhac and Halévy’s libretto for
Carmen –
one of the prize specimens, this, in the Allegorical Aviary he’d assembled in lighter days, and which included among its winged metaphors the Sweet (of youth), the Yellow (more lucky than me), Khayyám—FitzGerald’s adjectiveless Bird of Time (which has but a little way to fly, and lo! is on the Wing), and the Obscene; this last from a letter written by Henry James, Sr, to his sons … ‘Every man who has reached even his intellectual teens begins to suspect that life is no farce; that it is not genteel comedy even; that it flowers and fructifies on the contrary out of the profoundest tragic depths of the essential dearth in which its subject’s roots are plunged. The natural inheritance of everyone who is capable of spiritual life is an unsubdued forest where the wolf howls and the obscene bird of night chatters.’ Take
that
, kids. – And in a separate but proximate glass display-case of the younger, happier Chamcha’s fancy there fluttered a captive from a piece of hit-parade bubblegum music, the Bright Elusive Butterfly, which shared
l’amour
with the
oiseau rebelle
.
Love, a zone in which nobody desirous of compiling a human (as opposed to robotic, Skinnerian-android) body of experience could afford to shut down operations, did you down, no questionabout it, and very probably did you in as well. It even warned you in advance. ‘Love is an infant of Bohemia,’ sings Carmen, herself the very Idea of the Beloved, its perfect pattern, eternal and divine, ‘and if I love you, look out for you.’ You couldn’t ask for fairer. For his own part, Saladin in his time had loved widely, and was now (he had come to believe) suffering Love’s revenges upon the foolish lover. Of the things of the mind, he had most loved the protean, inexhaustible culture of the English-speaking peoples; had said, when courting Pamela, that
Othello
, ‘just that one play’, was worth the total output of any other dramatist in any other language, and though he was conscious of hyperbole, he didn’t think the exaggeration very great. (Pamela, of course, made incessant efforts to betray her class and race, and so, predictably, professed herself horrified, bracketing Othello with Shylock and beating the racist Shakespeare over the head with the brace of them.) He had been striving, like the Bengali writer, Nirad Chaudhuri, before him – though without any of that impish, colonial intelligence’s urge to be seen as an enfant terrible – to be worthy of the challenge represented by the phrase
Civis Britannicus sum
. Empire was no more, but still he knew ‘all that was good and living within him’ to have been ‘made, shaped and quickened’ by his encounter with this islet of sensibility, surrounded by the cool sense of the sea. – Of material things, he had given his love to this city, London, preferring it to the city of his birth or to any other; had been creeping up on it, stealthily, with mounting excitement, freezing into a statue when it looked in his direction, dreaming of being the one to possess it and so, in a sense,
become
it, as when in the game of grandmother’s footsteps the child who touches the one who’s
it
(‘on it’, today’s young Londoners would say) takes over that cherished identity; as, also, in the myth of the Golden Bough. London, its conglomerate nature mirroring his own, its reticence also his; its gargoyles, the ghostly footfalls in its streets of Roman feet, the honks of its departing migrant geese. Its hospitality – yes! – in spite of immigration laws, and his own recent experience, he still insisted on the truth of that: an imperfect welcome, true, one capable of bigotry, but a real thing, nonetheless,as was attested by the existence in a South London borough of a pub in which no language but Ukrainian could be heard, and by the annual reunion, in Wembley, a stone’s throw from the great stadium surrounded by imperial echoes – Empire Way, the Empire Pool – of more than a hundred delegates,
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