The Thanatos Syndrome
Haitians. They were as nice as they could be. Highest-class niggers I ever saw. Three of them spoke better English than you or me. All spoke French.â
âThanks, Elmo.â
âIf you need anything, call me. Hereâs my number downstairs.â
âIâm fine. Thanks, Elmo.â
After Elmo leaves, I call Lucy
âMy God, where are you?â
âAt Angola.â
âMy God, I thought so.â
âDonât worry. Itâs not bad. Are the children all right?â
âTheyâre fine.â
âLucy, did you get Claude out of Belle Ame?â
âNo. I tried. Theyâre not answering the phone and the gate is locked.â
âI see.â
âMy God, where have you been all night?â
âMaking a house call.â
âBob Comeaux has been looking for you.â
âI know.â
âHeâs been calling all evening. He wants to see you tomorrow. Before the wedding.â
âHe knows where I am now. What wedding?â
âAt Kenilworth next door. You know. That fellow from Las Vegas bought itâRomero? Romeo? He had in mind an English manor house, but it looks like Caesarâs Palace. His daughter is getting married at noon. But Comeaux is mighty anxious to see you. Heâll be there first thing.â
âI know.â
âWhat are they going to do with you?â
âProbably send me back to Alabama.â
âThey canât do that!â
âThey can.â
A pause. âYou sound funny. Are you all right?â
âIâm fine.â
âI want you over here by me.â
âThat may be possible later.â
âIs there anything I can do?â
âYes. Can you be available tomorrow morning and have Vergil and your uncle available?â
âSure. You meanââ
âI mean stay there. By the phone. We have to get Claude. Itâs no good calling the police. Wait by the phone until you hear from me.â
âSure. I will. Are youââ
âWhat?â
âAre you sure youâre all right?â
âIâm fine. A little tired.â
âYou sound funny.â
âIâm fine.â
âPleaseââ
âWhat?â
âTake care of yourself.â
âI will.â
Sure enough, the pajamas are under the pillow. They are silk. The cot is hard but comfortable. The sheets and pillowcase are fresh.
I never slept better. There is something to be said for having no choice in what one does. I felt almost as good as I did in prison in Alabama.
IV
1. WEDNESDAY MORNING .
Bob Comeaux is striding up and down my cell. He is shaking his head mournfully.
âSon, you blew it. You really blew it.â
âHow is that, Bob?â
He is on his way to the wedding at Kenilworth and is dressed in a kind of plantation tuxedo, a formal white linen suit with a long-skirted jacket, scarlet cummerbund, ruffled shirt, and scarlet bow tie. He carries a broad-brimmed panama hat. His sideburns seem longer. He looks like an old Howard Keel in a revival of Showboat.
I am sitting at my little desk. He sets his hat on the desk and brushes back his sideburns. He stands over me, hands shoved deep in his pockets.
âTom, youâve not only violated your paroleâby trespassing on the shunt compound. Hell, like I told you, we can live with that. But now youâve blown your security.â
âHow is that?â
âWe know that you and your friend, Mrs. LipscombâDr. Lipscomb?âhave accessed the NIH data bank on Blue Boy. We canât have the cover blown on Blue Boy until weâre ready. Think of it as another Manhattan Project.â
âAll right.â
âNow we have reason to believe youâre trying to shoot down John Van Dorn. Tom, we canât afford to lose him. Heâs a bit eccentric, but heâs our resident genius.â
âHeâs a pedophile.â
âLook, TomââBob Comeaux picks up his hat and, spreading the skirt of his jacket, rests a haunch on my deskâ âI know thereâve been some reports of irregularities in the staff out there. But Iâve got some news for you.â
âYes?â
âBelle Ame is closing down. Van is on his way to M.I.T. within the month. I knew we couldnât keep him. But we picked his brain while he was here and weâve got Blue Boy on track. Exit Dr. Van Dorn. End of chapter. End of problem.â He clears his throat.
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