The Thanatos Syndrome
come. Her hand is on my arm. It is like the touch of a friend at a funeral.
âItâs this.â It must have been in her pocket. She hands it to me, a slip of paper. Her eyes are in shadow. âYouâll hate my guts but I had no choice.â
âWhatâs this?â
I hold it up to the slit of light from her office. âA lab slip?â
Sheâs silent.
I read aloud. âA Schoen-Beck test? On who?â
Sheâs silent.
âOn Ely Culbertson? Come on. Whatâs this? A joke?â
âSchoen-Beck is for Herpes IV antibodies.â She could be talking to the lab. âThatâs the new one. Genito-urinary and neural.â
âI know, I know. So what?â
âThe name is Ellie Culbertson, Tom.â
âHeâs dead.â
âEllie, Tom. Not Ely.â
âI see. So what?â
âThatâs what Van Dorn calls Ellen, isnât it, as a compliment to her bridge playing. Youâve told me yourself. Sheâs his Ellie Culbertson.â
âYes, butââ
âDear,â she says, taking my arm. âPeople donât use their real names for this test.â
âTrue, but you still donât know who this is.â
âHoney, George Cutrer told me.â Her voice is sorrowful.
âWho in the fuck is he to know?â
âHoney, heâs chief of ob-gyn. And he has to tell me. Iâm the epidemiologist, remember?â
âWho else did he tell?â
âNo one. I swear.â
âLetâs see the date. Whereâs the date?â I canât seem to read the date.
Sheâs beside me, reading past my shoulder in the slit of light.
âThe date was six weeks ago.â
âHow do you know it wasnât me?â
She has another slip. Sheâs the good intern. âHere. Six months ago she was negative. Six months ago you were in prison in Alabama. Six weeks ago sheâs positive. Six weeks ago you were still in prison in Alabama. Now, unless they allow conjugal visits in federal prisonsââ
âThat was uncalled for.â
âYouâre right. Jesus, Iâm sorry.â
âGood night.â
She plucks my sleeve.
âDo you hold it against me?â
âNo.â I donât.
âI feel rotten. But you see that I had to tell you. Iâm sorry. I know you feel rotten too.â
âI donât.â I donât. I donât feel anything. âGood night.â
âIf there is anything at all you need. Anything.â
âThanks. I think Iâll have a drink and go to bed.â
âIâll get you one. You go on upstairs. Iâll bring you one.â
I remember where itâs always been kept. In the sideboard in the dining room.
âThanks.â
She folds my hand on the capsules. âIâll get you a drink to chase them.â
I donât move.
âTomââ
âYes?â
âYou see, I had no way of knowing whether you and Ellenâ that is, since you got backâand I donât intend to ask.â
âGood.â
âI think Iâll go on up. You remember whereââ
âYes, in the sideboard. I remember.â
âOne more thing, Tom.â Sheâs half turned away.
âYes?â
âIâve taken two too.â
âTwo too,â I repeat.
âThereâs nothing wrong with me, Tom. Do you understand?â
âYes,â I say, not understanding.
âAre you all right?â
âIâm fine.â
âSo Iâll say good night.â
âAll right.â
She gives me a kiss on the mouth, eyes open, searching mine.
3. I HAVE A FEW drinks standing at the sideboard in the dim dark of the dining room. There is a single gleam from the hall chandelier on the polished table. Itâs been twenty years since I stood here. Yet I remember exactly where the decanter is, an expensive silver-and-crystal affair, and the childâs silver cup Uncle Rylan used for a jigger, and that he filled it, the decanter, with a cheap bourbon named Two Natural. Itâs the same bourbon and twenty years havenât helped it. Several times I fill the cup, keeping a thumb at the rim to feel the cup fill. I stand in the dark.
Uncle Rylan would stand at the sideboard making a toddy for Miss Bett, first stirring sugar into three fingers of water. The silver spoon made a tinkling sound against the crystal. The stirring went on much longer than was required to
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