The Vorrh
he left, and becomes vague when his motives for being here are questioned.
Paulus only once asks me about the bow and why I do not use it to hunt or fish. I explain that it is not for use, being frail and of unsure design. He accepts this, and we change the subject back to his inventions. He tells me of another gin 1 he once saw; not his invention this time, but a gin that projected light, chopped into pieces to coincide with blinks, so that an impression of movement was achieved. Always the same movement, endless. The same woman on the same stairwell, taking the same three steps, continuously; a horse running to nowhere; a naked patriarch, swinging an axe. He says the more one watches, the more their time becomes real, and the watcher’s time leaks out, becoming insignificant, the same as watching the water for too long.
I can see that shadow play written on a wall. It matches our movement as we edgily drift on this monotonous tide. I feel my body recognise the spaces between the significant throbs of life, as if it has been cut into sections and rejoined in a crooked line, cut on a rough surface with a dull blade, and spliced together with the wrong glue.
By the fifth day, I am detached from the boat. Discorporate, I can see him, her and us from the trees, as if a bird has framed the boat’s path between branches, high in the wooden trellis, close to the sky.
Paulus is no longer talking, and spends more time watching the river ahead. His loose expectation is infectious, and we both look at the tiny horizon, guillotined in the moving trees. She holds my hand from the end of passage, as the ‘I’ of me is shaken loose, absorbed by meeting the other, who was born here.
Unexpectedly, the river straightens, making a long, unflinching channel, without bends or turns. He says it is like the canals of the Maas, that he has never been this far in before. The engine chugs and propels us just above the speed of the water; the surface is clear and highly reflective. As evening unfolds, we become mesmerised by the forest, which grows from the water and rises up to the clouds, ploughing down into its depths in absolute sameness; a perfect symmetry, unwound in perfect perspective. Nothing changes for hours; the dusk moves slower than our eyes, and we are pulled into the glimmering reflection without any sense of self. We are dissolved.
Both men had lost their selves. Such is the price of all trespass: clever men and dolts give it up with joy; others struggle and claw against it, burning their hand bones to hooks, until fatigued or abased to nothing.
The boat turned grey and the men glowed in the vespertine current. The Bowman gave his voice to the waters as his name floated into the branches, and his brain-tree turned to match those in the inverted sky, which was brimming with shy stars. The boatman thought of a new type of gin, a kind of water weaver, a loom for folding the sea. His imaginings brought the angels in. They awoke to the density of such trespass, to the vibration of the mechanism of thought, even when the idea it produced was of little consequence.
They came in with awareness and observed with caution, seeing the selves float against the stream, away from the men. The angels kept their distance, for fear of being caught in the amber of the human auras. Sticky sunlight stuff, not made for here, and shedding profusely.
* * *
Seil Kor raised his hand at the end of the journey along the three-hour track.
‘We must turn here,’ he said. ‘Either back, or to the right.’ His body strained towards the right, one foot already on the track.
The Frenchman looked up into his friend’s gleeful face. ‘I think we are going right,’ he said.
They headed down the narrow path, wanting more of the wonders they had already seen. The day was unpredictable, but the allure was worth a dark return. They had witnessed the flowing winds of the Vorrh, long, singing currents of turbulence that flew and rippled between the contoured ground and the vast canopy of still leaves. Its profound, limited hurricane was still in their lungs, the cleanest air ever breathed; sharp as lime, soft as new snow. It bore youth and purity in its rushing particles, setting the eye clean and level. When it first hit the Frenchman, he choked, as the corruptions of the cities and his own store of malice were dredged from his tarry crux. Scales fell from his cemented being, and he gave up all in a cough. There were no words to glue the two
Weitere Kostenlose Bücher